My favourite pair of hiking boots [Bound Feet Blues]

I workshopped Bound Feet Blues at The Centre for Solo Performance with 6 other solo performers and two facilitators. What was fascinating was that after my piece ended, in addition to giving me feedback on my performance and the structure of the script, the others in the group started talking about contemporary issues of body modification, body mutilation, the outward signifiers of feminity and masculinity and the eroticization of different part of our bodies in different cultures and times.
The facilitator had to interrupt the animated discussion to bring Continue reading
I have added a page to my blog giving the background to the development of Bound Feet Blues.

My vision for the piece is as a pure form of storytelling with no costumes or props and minimal lighting and music or sound effects. As a child, I loved listening to the stories my mother and Continue reading
via Flickr http://flic.kr/p/ngZ4Hw
Researching the crippling effect of bound feet on women in ancient China for my story performance Bound Feet Blues has made me appreciate the freedom I have as a modern woman have to enjoy the simple pleasure of going for a run
I went for a 3 mile run on Easter Sunday in the pouring rain and came back utterly drenched. You may not believe me but I thoroughly enjoyed it!
Why such seeming madness?
Of course I’d prefer to run through a sunny landscape, with the warm sunshine on my face and the vibrant colours of spring bursting around me. But there’s something tactile and Continue reading
This is a fascinating article about Chinese photographer Ji Yeo and her project to photograph women in the recovery room just after cosmetic surgery – See http://www.theguardian.com/lifeandstyle/womens-blog/2014/mar/18/ji-yeo-cosmetic-surgery-frontline
According to the Guardian, she hated her body when she was younger – which was tied into her low self esteem – and looked into having cosmetic surgery.
She didn’t have the surgery but started the Beauty Recovery Room photography project instead, taking photos of women just after cosmetic surgery.

As I’ve been thinking about bound feet and why women in China did that to themselves for my story performance Bound Feet Blues, I’ve been so much more aware of issues around women and their self esteem, body image, the role of fashion as power and body mutilation/ modification.
This project is particularly striking for me because it involves Chinese and East Asian women – symbolically making Continue reading
Ever since I’ve been working on my story project Bound Feet Blues, I’ve been drawn to news and other matters to do with women’s feet and shoes – especially anything that hobbles us, limits movements and involves pain.
I am excited to see a Guardian report on the rise of ugly – but comfortable – shoes.

The article quotes Natalie Kingham, head Continue reading
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I’ve been researching the history of bound feet for my solo performance piece Bound Feet Blues.
According to Wikipedia
Bound feet became a mark of beauty and was also a prerequisite for finding a husband. It also became an avenue for poorer women to marry into money; for example, in Guangdong in the late 19th century, it was customary to bind the feet of the eldest daughter of a lower-class family who was intended to be brought up as a lady. Her younger sisters would grow up to be bond-servants or domestic slaves and, when old enough, either the concubines of rich men or the wives of laboring men, able to work in the fields alongside them. In contrast, the tiny, narrow feet of the “ladies” were considered beautiful and made a woman’s movements more feminine and dainty, and it was assumed these eldest daughters would never need to work. Women, their families, and their husbands took great pride in tiny feet, with the ideal length, called the “Golden Lotus”, being about 7 cm (3 inches) long.[7] This pride was reflected in the elegantly embroidered silk slippers and wrappings girls and women wore to cover their feet. Walking on bound feet necessitated bending the knees slightly and swaying to maintain proper movement and balance, a dainty walk that was also considered erotic to men.[8]