March is Women’s History Month -2015 theme: Weaving the Stories of Women’s Lives

2015 Theme

It is almost as if the theme of this year’s Women’s History Month was designed just for Bound Feet Blues!

March is Women’s History Month and this year’s theme is Weaving the Stories of Women’s Lives. The website of the National Women’s History Project (US) says of this theme:

“Accounts of the lives of individual women are critically important because they reveal exceptionally strong role models who share a more expansive vision of what a woman can do. The stories of women’s lives, and the choices they made, encourage girls and young women to think larger and bolder, and give boys and men a fuller understanding of the female experience. Knowing women’s achievements challenges stereotypes and upends social assumptions about who women are and what women can accomplish today.”

In my show – and the book – Bound Feet Blues, I tell personal stories from the lives of the women in my family and weave those threads with my own coming out journey. But the themes go beyond the stories of one woman and one family to touch on the universal questions of female desirability, identity  and empowerment. In ancient China, women were objectified as decorative objects through their tiny, crippled bound feet. My great-grandmother broke free from tradition to run away from her cruel husband despite her crippled feet. What cultural traditions still bind us to a standard of beauty that denies us our essential powerful identities? How can we break Continue reading

Walking Wild, Walking Free

One of the themes of my show Bound Feet Blues is the power of being able to walk on your own two feet.  This theme is a very personal one for me as I love being able to stride about. In my daily life, I value being able to choose where I go and taking in the busy urban landscape of London at a walking pace. I also love long walks in the countryside and in particular, walking on long distance trails.

With my partner and our friends, over the last three years, I have walked almost 300 miles along some of Britain’s most beautiful long distance paths.

So, as you can imagine, I am an avid fan of Cheryl Strayed‘s hiking memoir Wild – about her 1,000 mile transformational hike along the Pacific Crest Trail in America. And last weekend, we headed off to the movies to see the film version starring Reese Witherspoon. See the trailer below.

 

The movie is a terrific adaptation of the book, bringing out the internal journey as much as the external journey. The story is as much about a an intense mother-daughter relationship as it is about Cheryl’s discovery of who she is through the solo challenge of the long distance  hike – in fact, the two themes are inextricably linked. This thread means a lot to me as Bound Feet Blues is also about intense mother-daughter relationships  – and self-discovery is portrayed through two life transforming hikes!

Here’s what the New York Times Review said of WildContinue reading

Beautiful women are evil – so said the Ancient Greeks

Bound Feet Blues explores female beauty in the context of Ancient China and the practice of footbinding that was meant to make a woman more beautiful. My work on this project has led me to reflect on modern concepts of beauty in the modern West. Now, I have just  seen this article on the BBC website by historian Bethany Hughes looking at the beauty in the world of the Ancient Greeks – and it points to a rather different view of beauty from what we are used to.

The article says “In ancient Greece the rules of beauty were all important. Things were good for men who were buff and glossy. And for women, fuller-figured redheads were in favour – but they had to contend with an ominous undercurrent”

In Greek mythology, the first woman to be created was …” “the beautiful-evil thing”. She was evil because she was beautiful, and beautiful because she was evil. Being a good-looking man was fundamentally good news. Being a handsome woman, by definition, spelt trouble.”

This point of view contrasts with most notions of beauty which ellide goodness of character with good looks. In Ancient China, for example, an Exemplary Woman was one who was obedient and dutiful – and who was also beautiful, where her beauty was entirely defined by the tiny size of her feet. In modern times, heroines in movies and books tend to be beautiful, too, rather than plain or ugly unless their plainness is part of the plot device/ reason for the story.

However, this Greek notion of female beauty as evil does live on today in the modern trope of the evil seductress whose beauty is Continue reading

Is looking Chinese really so awful?

Looking Western seems to be an ideal of beauty for some Chinese women, according to an article in the Daily Mail. They are getting cosmetic surgery on their faces to remove their Chinese features – making their eyes bigger, sharpening their noses and reshaping their faces to seem longer.  Is looking Chinese really so awful for these women that they feel they have to destroy their own faces to look more Western and therefore in their minds more beautiful?

Looking at the photos in the article, I am reminded of depictions of women in anime comics, which originated in Japan – with large saucer like eyes and heart shaped faces, mapping Western features onto Eastern female faces. The skin tones also seem to have been altered to look paler and pinker. There, too, in those comic books, Western features are idolized.

Chinese woman before and after Westernizing cosmetic surgery

Bound Feet Blues explores why women in ancient China were prepared to do violence to themselves and their daughters in the context of footbinding, which mutilated a girl’s feet beyond repair. That brutal cultural practice died out about 70 years ago. But it looks like it has returned but in another form.

The underlying message of both bound feet and this Westernizing cosmetic surgery seems to me to be that Continue reading

An elderly lady recalls her experience of footbinding [video]

In this video, a 90+ year old Chinese lady in Malaysia is interviewed, talking about her experience of having her feet bound.

The practice of footbinding did not take place in Malaysia but many women who had had their feet bound as childre migrated to Malaya (as Malaysia used to be called before independence from British rule) in later life.

 

Continue reading

Yang-May Ooi on BBC London Live

I went in to the BBC London Live studios on 16 Oct to chat with the delightful Jo Good about my novels The Flame Tree and Mindgame and also Bound Feet Blues.

In case you missed it, here is the interview again. It runs for about 20 mins. Click on the image below and an audio player will open up.

 

Or, you can click on this link – https://app.box.com/s/n5kxj3szaric1d03r8qi

 

Continue reading

Yang-May Ooi talking about Bound Feet Blues at SEA Arts Festival 2014 [video]

Here’s a short video interview of me talking about the inspirations behind Bound Feet Blues and the challenges of bringing it to the stage.

It was filmed just after the Heritage Panel that I took part in, discussing the role of heritage in South East Asian Performance with Anna Nguyen of Trikhon Theatre and Elaine Foo of TrueHeart Theatre.

There’s also a short snippet of me performing a scene from the show for the audience at the Heritage Panel.

Enjoy!

Continue reading

Sweet Vintage Photo of Butch and Femme Japanese-style

Bound Feet Blues is as much about my own personal coming out story as it is about the story of great-grandmother with bound feet. Footbinding in the show is a metaphor for the binding up of who we really are, of our natural selves, in order to fit into an social construct of what a woman should be.

The story also explores how I used to be a tomboy and what that meant for me in terms of freedom vs constraint, power vs restriction, heartfelt love vs pretending to be someone I was not. For me, coming out was the ultimate act of unbinding and personal empowerment – signified by the freedom to wear whatever I choose, whether fully female or male attire or an androgynous combination of both….

Two Japanese women featuring vintage cross-dressing.

 

This vintage photo shows two Japanese women, one in female clothing, the other in man’s clothes. I’ve not been able to Continue reading

IN THIS BODY – From domination to resistance to freedom

I’m delighted to introduce you to my guest blogger Rona Steinberg, co-founder of an exciting new event for women – and men – called IN THIS BODY. In this exclusive essay for the Bound Feet Blues blog, she writes about her response to the practice of footbinding and reflects on how it can open up topical and relevant discussions for us as modern women about our relationship to our bodies. 

I’m sitting drinking coffee with Yang-May last week in the tranquil surroundings of the courtyard of Southwark Cathedral. It’s late afternoon and it’s been raining but now the weather is clearer and while there’s a chill in the air, we want to sit outside where it’s fresh and mellow and we’re close enough to the river to feel its energy.

Yang-May describes some of the background behind Bound Feet Blues and while I’ve heard some of this story before, I find myself as usual caught up in the compelling drama of her narrative. The story feels urgent, important, it’s vital to bear witness, to stay calm and focus, I tell myself.

And yet my body protests.

Distorting our bodies

My stomach twists with the horror of her description of the actual physical process of the foot binding, my heart cries for the suffering of girls and women, their pain and helplessness and for their mothers, conditioned to believe they do this in service of their daughters. My whole being rages at the sheer injustice, cruelty and harshness of a society which says you must deform and distort your bodies for the pleasure of men.

We wonder if despite how awful it is to listen to all this, if perhaps it’s more possible to stay with the narrative because it feels as if it comes from history, from a different world. And even as I think this, I counter that argument with the knowledge, that no, terrible things are still done to women’s bodies as a way of controlling them, as a way of giving pleasure to men. And still perhaps even more sadly, some women continue to believe that this deception must be maintained for some skewed version of how the status quo must look.

I think how fortunate I am that such things have never happened to me, how would I react if it did, what would I do? Would I submit or resist? Comply or rebel?

A woman’s body in a man’s world

And I reflect on my own experiences of being a girl, a woman in my body. I think about becoming a lawyer, how much my own body, mind and sensibilities resisted the logical thinking that the law requires, how in those sombre, masculine offices how much of myself I denied – my creativity, quirkiness, imagination, intuition and emotional intelligence – in favour of drab documents and endless legal argument. I tried so very hard to be and look professional and competent but I don’t think I was very convincing.

Rona Steinberg, Out Loud Coaching

I remember crying because I couldn’t grasp the mysteries of a balance sheet however much that irritated Continue reading

First look at the new cover for Mindgame – my lesbian thriller set in Malaysia

I am very excited to share with you the new cover for Mindgame, my second novel and the first – and only – Malaysian lesbian thriller!

The cover is designed by Monsoon Books for the new ebook version that they will be bringing out shortly. It depicts the dark themes of the book quite well, I think:

# the mind manipulation is suggested by the dark swirling cloud to the young woman’s right

# the dream-like, hallucinations bubble up around her, partly light, partly dark

# behind all that, there is an ominous Continue reading