IN THIS BODY – From domination to resistance to freedom

I’m delighted to introduce you to my guest blogger Rona Steinberg, co-founder of an exciting new event for women – and men – called IN THIS BODY. In this exclusive essay for the Bound Feet Blues blog, she writes about her response to the practice of footbinding and reflects on how it can open up topical and relevant discussions for us as modern women about our relationship to our bodies. 

I’m sitting drinking coffee with Yang-May last week in the tranquil surroundings of the courtyard of Southwark Cathedral. It’s late afternoon and it’s been raining but now the weather is clearer and while there’s a chill in the air, we want to sit outside where it’s fresh and mellow and we’re close enough to the river to feel its energy.

Yang-May describes some of the background behind Bound Feet Blues and while I’ve heard some of this story before, I find myself as usual caught up in the compelling drama of her narrative. The story feels urgent, important, it’s vital to bear witness, to stay calm and focus, I tell myself.

And yet my body protests.

Distorting our bodies

My stomach twists with the horror of her description of the actual physical process of the foot binding, my heart cries for the suffering of girls and women, their pain and helplessness and for their mothers, conditioned to believe they do this in service of their daughters. My whole being rages at the sheer injustice, cruelty and harshness of a society which says you must deform and distort your bodies for the pleasure of men.

We wonder if despite how awful it is to listen to all this, if perhaps it’s more possible to stay with the narrative because it feels as if it comes from history, from a different world. And even as I think this, I counter that argument with the knowledge, that no, terrible things are still done to women’s bodies as a way of controlling them, as a way of giving pleasure to men. And still perhaps even more sadly, some women continue to believe that this deception must be maintained for some skewed version of how the status quo must look.

I think how fortunate I am that such things have never happened to me, how would I react if it did, what would I do? Would I submit or resist? Comply or rebel?

A woman’s body in a man’s world

And I reflect on my own experiences of being a girl, a woman in my body. I think about becoming a lawyer, how much my own body, mind and sensibilities resisted the logical thinking that the law requires, how in those sombre, masculine offices how much of myself I denied – my creativity, quirkiness, imagination, intuition and emotional intelligence – in favour of drab documents and endless legal argument. I tried so very hard to be and look professional and competent but I don’t think I was very convincing.

Rona Steinberg, Out Loud Coaching

I remember crying because I couldn’t grasp the mysteries of a balance sheet however much that irritated Continue reading

Fascinating historical photos of women with bound feet in my upcoming talk The Allure of Bound Feet

I have been working on the slides for my talk The Allure of Bound Feet, which I will be giving as part of the  SEA ArtsFest 2014 Panel on Heritage in Asian Diasporic Performance.

Here is one of my slides where I will be talking about the process of footbinding and the fact that it can take up to ten years to be fully completed. The photos show girls at different ages with bound feet to illustrate the passing of time.

At the moment I have about 17 slides in total. The other slides will include woodcuts of ancient Chinese erotica – you can’t really talk about footbinding without talking about the sex appeal of the tiny foot – and also cross-gender Continue reading

What do bound feet have in common with a lesbian thriller?

My solo show Bound Feet Blues asks the question: how do we as individuals, and as women, live authentic lives true to ourselves within a dominant culture that seeks to control our bodies and our spirit? Foot binding in ancient China broke a woman’s body physically – but also broke her spirit over the course of the many years it would take to create the perfect tiny foot. What dominant cultural traditions in our modern era play a similar controlling role in who and what we can be?

I’ve just received the proofs of the e-book of my second novel, Mindgame, the first and only lesbian Malaysian thriller. It is soon to be re-issued by Monsoon Books and I am now reading through the proofs – all 450+ pages of the book – to check it before publication. On re-reading the book, I see that this same theme that I explore in Bound Feet Blues also Continue reading

How does a woman with bound feet “run away” from her family?

How does a woman with bound feet “run away” from her family?

This is the question that has haunted me ever since I was a child when I heard the story of my great-grandmother who had bound feet.

 

Photo:<!--###IMAGE_BRIEF###-->

Here is the story that has been passed down in my family, which I pieced together from different family members:

Great-grandfather was a hospital orderly in Taiping (a small town in Perak in Malaysia) when he came across a young woman with bound feet who Continue reading

Imagine a grown woman with baby feet

It’s difficult for us in the modern world to imagine how small bound feet were. Whenever I say to people that some of the smallest bound feet were only 3 inches long, they register that that is small but it’s only when they see exactly how small 3 inches is, that the horror of it hits them.

In order to illustrate how tiny bound feet were for “Breaking Tradition”, my award-winning talk inspired by the stories in Bound Feet Blues, I went online to order a pair of baby shoes. I searched and searched for baby shoes that were 3 inches long but the smallest size that I could find came to just over 4 inches.

The photo above shows me holding those 4+ inch baby shoes during Continue reading

A Chinese woman walking with Bound Feet [video]

As part of my inquiry what it would like to walk with bound feet for my performance of Bound Feet Blues, I found this video of an elderly Chinese woman with bound feet.

I have been watching it to get a sense of her movement so that it can help me portray the walk of a woman with bound feet in my show.

The main thing that I notice is that she does not Continue reading

What was it like to walk with bound feet?

This is the question that I am thinking about at the moment during the development of my performance for Bound Feet Blues. How would having bound feet have affected the way you would walk? How would it have affected your outlook on life, going through the process of the brutal procedure over a number of years and then having to live the rest of your life crippled in this way?

You will have seen my earlier blog post about the film Snow Flower and The Secret Fan and also the clip which I posted showing the footbinding scene from that movie.

That film has been a useful resource in depicting the way that women with bound feet would have walked.

The movie seems quite careful and meticulous about depicting bound feet – after all the whole premise of the story is founded on the women having bound feet. They show what bound feet would have looked like in their little socks and slippers. In long shots, we can see the tiny feet under the women’s gowns (I’d love to know what special effects they used to make the women’s feet seem so small). It looks like in the performances as well, care was taken to depict how women would have moved with bound feet.

I watched those sequences carefully where the bound feet protagonists Snow Flower and her friend Lily are in movement and here are my impressions:

# They move faster than Continue reading

Dramatic video clip showing footbinding in ancient China – from “Snow Flower and The Secret Fan”

“Only through pain will you find beauty,” says Snow Flower’s mother as she makes her daughter walk with her feet bound.

In my research for Bound Feet Blues, I’ve been looking into what it was like for young girls to have their feet bound. I came across the movie Snow Flower and The Secret Fan – see my blog post from earlier this week “Beaches” with Bound Feet – footbinding and female friendship – which is all about footbinding.

Here is a clip showing the sequence where one of the girls has to endure footbinding:

It is painful to watch and is  a moving dramatisation of what it must have been like for little girls who had to endure this brutal process.

The one comment I would have, however, is that from my research, footbinding is a process and not just a one-off as the film suggests.

As a girl grow up, her feet keep growing so Continue reading

“Beaches” with Bound Feet – footbinding and female friendship

In Chinese tradition, where marriages were made for social or business reasons and where women – especially those with tiny bound feet – were seen as trophies, there was a recognition that women would not find much emotional comfort, love or meaningful human connection with their husbands.

So as part of this tradition, girls were given “sworn sisters”  who would be their emotional partner – rather like the “blood brothers” relationship that boys would have. These formally sanctioned and socially accepted partnerships were known as “laotongs”.

I learnt about this intriguing custom from the film Snow Flower and The Secret Fan which I discovered over the weekend, based on the novel by Lisa See. How had I not known about this touching tradition before now!

Here is the official movie trailer:

The movie is about two female friendships, one set in modern Shanghai and the other in 19th century China, during the Boxer Rebellion. The same two actresses portray the two pairs of friends. The arc of the story has echoes Continue reading

The Last Bound Feet Women of China [video]

Photographer Jo Farell is documenting the last women in China with bound feet. This timely and important project tells the stories of these last remaining women who suffered the brutal practice of footbinding through intimate and respectful black and white photos.

This video gives an overview of the project and also outlines some the history and reasons for this ancient Chinese social tradition.

She funded this project via Continue reading