One week to the opening night of Bound Feet Blues! Have you got your ticket yet?

Yang-May Ooi’s astonishing one woman show Bound Feet Blues will open in one week’s time on Tuesday 24 November 2015 at Tristan Bates Theatre. Have you got your ticket yet?

Not yet? Don’t miss this extra-ordinary tour de force solo performance. You can still buy tickets via bit.ly/bfbtickets

Bound Feet Blues takes us back to ancient China to the inner chamber of a mother with bound feet as she describes and demonstrates the brutal practice of footbinding on her daughter. We may judge this in our modern times as cruel but if we were women living in that time, would we do the same out of love for our little girl?

We also see Yang-May as a tomboy aged 10 and as Continue reading

Photos and Write Up from Papergang Theatre’s Echo Night at the Bush Theatre – incl Bound Feet Blues extract

Writer/ performer Yang-May Ooi was invited to perform an extract of Bound Feet Blues at the Echo event of East Asian performers at the Bush Theatre, hosted by Papergang Theatre back in October. Here are some photos from the night – and also a write up by Papergang on their blog.

Yang-May writes: “It was great fun – and also a privilege to be performing alongside so many talented East Asian artists. Thank you to Papergang Theatre for inviting me to show an extract from Bound Feet Blues. The audience were warm and enthusiastic – some of them said the character of my Mum that I played reminded them of their old aunties from Malaysia! I am delighted!”

With the other performers on the night, and Papergang Theatre founders Simon Ly and Clarissa Wylde (extreme left) Photo credit: Papergang Theatre

Performing “Some Enchanted Evening” extract from Bound Feet Blues

 

Team BFB L – R: producer Eldarin Yeong, director Jessica Higgs, writer/ performer Yang-May Ooi

For a write up of the evening, check out Papergang Theatre’s blog post “Echo at the Bush”:

“Tuesday 20th of October, saw our first collaboration with the Bush Theatre, a new writing and storytelling event ECHO. We showcased an evening with Continue reading

Yang-May Ooi, writer and performer of Bound Feet Blues says: More East Asian stories needed in UK mainstream media

Yang-May Ooi, writer/ performer of Bound Feet Blues talks about the lack of East Asian stories in UK mainstream media and what could be done to redress the balance.

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You can buy tickets for Bound Feet Blues THE SHOW via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

Meet Hua Tan, set and lighting designer for Bound Feet Blues

Hua Tan travels between Shanghai and London, working on diverse productions from Chinese language dramas and operas to international collaborations like the National Theatre’s Chinese language production of War Horse. She has created an amazing set for Bound Feet Blues as well as complementing Yang-May’s performance with a nuanced and atmospheric lighting design.

HUA TAN – Theatre Designer

Hua TanHua Tan is an established creative lighting designer and scenographer based in London who works for theatre productions in the UK and China. Hua completed an MA in lighting design from The Central Academy of Drama in China, and an MA distinction in Scenography from The Royal Central School of Speech and Drama. In her varied, successful career Hua has lit and designed for opera, drama, dance, and traditional Chinese operas. The highlights of her career to date include ‘Under The Hawthorn Tree’ (National Theatre of China), ‘Queen of coquetry’ (Shanghai Drama Art Centre) and ‘Open Country’ (Beijing Dance Academy). Her work has attracted awards and prizes including the ‘best lighting design’ at China Lotus Dance Festival, Shanghai Stage Art Society, Henan Theatre Festival, the ‘best set and Continue reading

Bound Feet Blues featured in Nee Hau, the online magazine for British Chinese and East Asian Culture

Yang-May Ooi, writer and performer of Bound Feet Blues, has been featured in Nee Hau, the online magazine for British Chinese and East Asian culture. You can read the full article by clicking on the image below.

neehau-screenshot

Here is an extract: “From internationally best-selling fiction author to performing her personal story, with a three-week run at Tristan Bates Theatre scheduled from November 24th to December 12th2015, Yang-May has evolved to become the confident storyteller she is today, shining in her 50s. The show is part of the South East Asian Arts Festival 2015 and funded by The Arts Council and The Housing Finance Corporation. Yang-May is supported by a team of experts including Jessica Higgs, creative director, Eldarin Yeong, producer and Hua Tan, theatre designer.” Read the full article..

 

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You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

Meet Eldarin Yeong, producer of Bound Feet Blues

Eldarin Yeong produced the showcase of Bound Feet Blues in Oct last year and is now working on the full production of the show for its 3 week run in Nov/ Dec this year. She brings her calm, efficient energy to the administrative, logistical and business side of the production, pulling it all together to make sure everything goes smoothly.

ELDARIN YEONG – Producer

Eldarin Yeong - Producer, Bound Feet BluesEldarin is a theatre producer and director, and the columnist on Theatre and Arts for UK Chinese Times newspaper. Her producing credits include: The Rites of Spring/ Romeo and Juliet (Concert Theatre National Tour),  Normal Love (Lilian Bailey, Sadler’s Wells),  Thor of the Common Man The Cockpit London), Aquatic The Cockpit London), film Atalantas (British Film Institute),The Monster in the Hall National Theatre of Scotland & Shanghai Grand Theatre) and Continue reading

Do our shoes shape who we are? [video] – Yang-May Ooi, writer/ performer of Bound Feet Blues, thinks so

Yang-May Ooi, writer/ performer of Bound Feet Blues – A Life Told in Shoes, talks about how shoes and bound feet in her extra-ordinary theatre piece are a metaphor for who we are – and who we long to be.

Bound Feet Blues – A Life Told in Shoes is a solo story performance written and performed by Yang-May Ooi and directed by Jessica Higgs. A memoir of the same name by Yang-May Ooi is also being published.

ABOUT THE SHOW
In an epic journey from China via East Asia and Australia to England, British-Malaysian writer-performer Yang-May Ooi explores female empowerment and desirability through the oral histories of three generations of her family and the shoes in her life. Yang-May uses the ancient Chinese tradition of footbinding experienced by Continue reading

Tickets now available for Bound Feet Blues full production – Nov/ Dec 2015

 

I am pleased to announce that tickets are now available for the full production of Bound Feet Blues which will return to the Tristan Bates Theatre in the heart of the West End in Nov/ Dec this year.

The showcase performance last year was sold out two months in advance. For the upcoming full production run, there are only 12 public performances so please do get your tickets soon to avoid missing out again.

What the critics said:

Everything Theatre Everything Theatre, UK

This theatre review site which bills itself as the  “honest and unpretentious guide to the London theatre scene”, gave Bound Feet Blues a 4 star review (out of 5). It described the show as “Engaging, eye-opening, funny and moving” and summed it up in one word: “Excellent” Read Hanna Gilbert’s review: Bound Feet Blues – A Life Told in Shoes, Tristan Bates Theatre. (16 Oct 2014)

 

The Public Reviews  The Public Reviews, UK

The theatre review online magazine The Public Reviews gave Bound Feet Blues a 4.5 star rating (out of 5 stars) and described the show as “powerful” and “beautifully performed and directed”. Read the review by Nichola Daunton:  “Bound Feet Blues – A Life Told in Shoes – Tristan Bates Theatre” (14 Oct 2014).

 

BUY TICKETS NOW

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

Tristan Bates Theatre – 1A Tower St, Covent Garden WC2H 9NP
Box Office 020 7240 6283
boxoffice@tristanbatestheatre.co.uk

 

Bound Foot Warrior – Qiu Jin – Women’s History Month

She had bound feet but she loved riding and martial arts. She wore men’s clothing and was a firebrand orator. Her name was Qiu Jin and was a revolutionary in the early 1900s in  China.

Here is a snapshot of what Qiu Jin achieved, from Wikipedia:

“She was an eloquent orator who spoke out for women’s rights, such as the freedom to marry, freedom of education, and abolishment of the practice of foot binding. In 1906 she founded a radical women’s journal with another female poet, Xu Zihua, called China Women’s News (Zhongguo nü bao), though it published only two issues before it was closed by the authorities.[4] In 1907 she became head of the Datong school in Shaoxing, ostensibly a school for sport teachers, but really intended for the military training of revolutionaries.”

Of her early life, we learn this from Don Tow:

“Qiu Jin was born in 1875 in Fujian Province in China, and grew up in Shaoxing, Zhejiang Province. As a child of a fairly well-off family, she was very well educated, much more than other girls of her time. She was very good in literature and writing, both prose and poetry. Unlike most other girls, she was also very much interested in the outdoor and physical activities, such as riding horses and martial arts. Although her feet were bound[1] starting from about five years old as was the norm at that time for Chinese girls from reasonably well-off families, she was quite good in martial arts and other physical activities, an indication of her determination, commitment, and drive. Later as she grew older and started advocating equality for women, she stopped binding her feet.” See Qiu Jin (秋瑾) – China’s First Feminist | Don Tow’s Website.

As for footbinding and women’s rights, we can read a snippet of her writing here via the On This Deity blog (15 July 1907 The Martyrdom of Qiu Jin):

“We women, who have had our feet bound from early childhood, have suffered untold pain and misery, for which our parents showed no pity. Under this treatment our faces grew pinched and thin, and our muscles and bones were cramped and distorted. The consequence is that our bodies are weak and incapable of vigorous activity, and in everything we do we are obliged to lean on others … Sisters, let us today investigate the causes which have led to this want of spirit and energy among women. May it not be because we insist on binding up our girls’ feet at an early age, speaking of their “three-inch golden lilies” and their “captivating little steps”?

Continue reading

Capture your family history before it’s too late

Where do we come from? WHO do we come from? Our family history can give us our identity, shape how we view ourselves and our place in the world.

I am so grateful to my 13 year old self. Because in 1976, I asked my Grandpa to tell me about our family history and I recorded it on a tape recorder. In that recording, he tells the story of how his grand-father, my great-great grandfather, came to Malaya (now Malaysia) from China. He died the following year. It is the only family recording we have of Grandpa’s voice and it is the official account of the story of our family (on my mother’s side).

You can listen to the recording via the player below. (The recording was first published on my previous blog Fusion View)

[audio http://media.ipadio.com/698228_201308311429507588.mp3]

 

My Grandpa carrying me

In addition to this recording I have recordings of my Grandma and also reams of notes of stories and conversations with other aged relations, collected over time.

Now I am 51+ – about the same age as my Grandpa was in the photo above. My fascination with my family heritage has led me to create Bound Feet Blues, the story performance. I am also writing a book telling the Stories Behind the Story of the show – which will include the story about the Bandit Boy that Grandpa refers to in the recording. Not only has my interest in my family history sparked my creativity, it has also given me a sense of who I am and my place in the world.

Audiences for Bound Feet Blues seem fascinated by the family stories portrayed in the show – and I think this is as much because it prompts them to reflect on their own family and their relationship with their parents and grandparents and great-grandparents as it is to do with any particular interest in the specifics of my family. Many people have said to me that they wish they knew more about their own family history.

If you are interested in your family history, Continue reading