Meet Carol Alayne, costume designer for Bound Feet Blues

Savile Row tailor Carol Alayne has designed a sleek tunic for writer/ performer Yang-May Ooi, picking up the Chinese theme of the show while creating a timeless feminine shape to sit on top a pair of rugged jeans. The simplicity of the design belies the powerful impact of the costume, in keeping with the minimalist principles underlying the creative vision for Bound Feet Blues.

CAROL ALAYNE, costume designer

Carol Alayne is master tailor, haute couture specialist and mentor with over 30 years professional experience in Savile Row and at a number of leading fashion houses. Her commissions include individually crafted garments for fashion collections, technical wear for top level sports competitors, business and formal attire for prominent executives, traditional safari and field sport outfits, and special items for international artists and musicians. www.tailoringforwomen.com

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You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

Meet Hua Tan, set and lighting designer for Bound Feet Blues

Hua Tan travels between Shanghai and London, working on diverse productions from Chinese language dramas and operas to international collaborations like the National Theatre’s Chinese language production of War Horse. She has created an amazing set for Bound Feet Blues as well as complementing Yang-May’s performance with a nuanced and atmospheric lighting design.

HUA TAN – Theatre Designer

Hua TanHua Tan is an established creative lighting designer and scenographer based in London who works for theatre productions in the UK and China. Hua completed an MA in lighting design from The Central Academy of Drama in China, and an MA distinction in Scenography from The Royal Central School of Speech and Drama. In her varied, successful career Hua has lit and designed for opera, drama, dance, and traditional Chinese operas. The highlights of her career to date include ‘Under The Hawthorn Tree’ (National Theatre of China), ‘Queen of coquetry’ (Shanghai Drama Art Centre) and ‘Open Country’ (Beijing Dance Academy). Her work has attracted awards and prizes including the ‘best lighting design’ at China Lotus Dance Festival, Shanghai Stage Art Society, Henan Theatre Festival, the ‘best set and Continue reading