history

Researching the history of the iconic cheongsam, the Chinese traditional dress

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On this wet Sunday afternoon, I am feeling very sorry for myself – laid up with a cold – but I am distracting myself by researching the history of the the cheongsam for Bound Feet Blues, The Book.


What I am learning is that clothing has national and political significance. The cheongsam originated with Manchu rule in China when the Manchurians from the North East overthrew the Ming Dynasty in 1644. They required all men to wear their hair in a plait – known as a queue – and everyone had to wear clothing in the Manchu style: with the high collar and side buttons. Those who defied this requirement could be punished by death. It was a way of dominating the Continue reading →

Yang-May Ooi talking about Bound Feet Blues at SEA Arts Festival 2014 [video]

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Here’s a short video interview of me talking about the inspirations behind Bound Feet Blues and the challenges of bringing it to the stage.

It was filmed just after the Heritage Panel that I took part in, discussing the role of heritage in South East Asian Performance with Anna Nguyen of Trikhon Theatre and Elaine Foo of TrueHeart Theatre.

There’s also a short snippet of me performing a scene from the show for the audience at the Heritage Panel.

Enjoy!

Continue reading →

Sweet Vintage Photo of Butch and Femme Japanese-style

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Bound Feet Blues is as much about my own personal coming out story as it is about the story of great-grandmother with bound feet. Footbinding in the show is a metaphor for the binding up of who we really are, of our natural selves, in order to fit into an social construct of what a woman should be.

The story also explores how I used to be a tomboy and what that meant for me in terms of freedom vs constraint, power vs restriction, heartfelt love vs pretending to be someone I was not. For me, coming out was the ultimate act of unbinding and personal empowerment – signified by the freedom to wear whatever I choose, whether fully female or male attire or an androgynous combination of both….

Two Japanese women featuring vintage cross-dressing.

 

This vintage photo shows two Japanese women, one in female clothing, the other in man’s clothes. I’ve not been able to Continue reading →

Performance photo – the most prized, smallest foot was “the golden lotus”

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I perform Bound Feet Blues without any costumes or props – or even any shoes. My aim is to invite the audience to experience the show in the way that we have all experienced stories being told to us when we were children – that is, by co-creating the characters, events and landscapes in our imaginations.

I use my left hand to map the process of footbinding – it starts off as a normal “foot” and is steadily contorted and “broken” into the twisted shape that you see in the photo below. For comparison, I’ve also found a photo of an actual bound foot – also below.

 

 

 

This performance photo was taken at the scratch night in March at Conway Hall.

The most prized foot was called “the golden lotus” – it was Continue reading →

Chilling photo of a castrated Eunuch of Ancient China

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While women in Ancient China had to endure their feet being broken and bound in order to conform to the traditional Chinese cultural ideal of feminine beauty, some men endured castration in order to rise in the ranks of power.

This is a chilling photo of what castration meant for a man of that time

Eunuch-is a castrated man. In ancient China, castration was a traditional punishment or a means of gaining employment. During the Ming Dynasty there were 70,000 eunuchs, some by self-castration. Some of these individuals had powers that were greater than those of the prime ministers. Self-castration became illegal and by 1912, less than 500 eunuchs existed and their jobs ended. Eunuchs castrated before puberty were valued for their exceptional high pitch voices.

 

According to  Green 9999 on Pinterest:

Eunuch-is a castrated man. In ancient China, castration was a traditional punishment or a means of gaining employment. During the Ming Dynasty there were 70,000 eunuchs, some by self-castration. Some of these individuals had Continue reading →

The earliest recorded version of the Cinderella story came from China just as footbinding became fashionable

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Did you know that one of the earliest recorded versions of the Cinderella story was written down during the Tang Dynasty in China around 850 AD? It was recorded by Duan Chengshi but he says it is about a woman who lived a thousand years before.

 

 

The two most famous versions of the Cinderella story are the ones by the Brothers Grimm and Charles Perrault involving glass slippers, pumpkins and mice as well as a wicked stepmother and two ugly stepsisters – seared into our collective memories by the Disney animated movie. Both these versions were recorded around the 1700s and 1800s AD in Western Europe.

Always an inch smaller…

In the Tang Dynasty version, the heroine’s name is Ye Xian. The key elements are as in the Western version although the twists and turns of the story differ. The Chinese Cinderella is bullied by her wicked stepmother and two evil step-sisters and she goes to a ball in disguise, wearing a sumptuous Continue reading →

Fascinating historical photos of women with bound feet in my upcoming talk The Allure of Bound Feet

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I have been working on the slides for my talk The Allure of Bound Feet, which I will be giving as part of the  SEA ArtsFest 2014 Panel on Heritage in Asian Diasporic Performance.

Here is one of my slides where I will be talking about the process of footbinding and the fact that it can take up to ten years to be fully completed. The photos show girls at different ages with bound feet to illustrate the passing of time.

At the moment I have about 17 slides in total. The other slides will include woodcuts of ancient Chinese erotica – you can’t really talk about footbinding without talking about the sex appeal of the tiny foot – and also cross-gender Continue reading →

How does a woman with bound feet “run away” from her family?

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How does a woman with bound feet “run away” from her family?

This is the question that has haunted me ever since I was a child when I heard the story of my great-grandmother who had bound feet.

 

Photo:<!--###IMAGE_BRIEF###-->

Here is the story that has been passed down in my family, which I pieced together from different family members:

Great-grandfather was a hospital orderly in Taiping (a small town in Perak in Malaysia) when he came across a young woman with bound feet who Continue reading →

Imagine a grown woman with baby feet

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It’s difficult for us in the modern world to imagine how small bound feet were. Whenever I say to people that some of the smallest bound feet were only 3 inches long, they register that that is small but it’s only when they see exactly how small 3 inches is, that the horror of it hits them.

In order to illustrate how tiny bound feet were for “Breaking Tradition”, my award-winning talk inspired by the stories in Bound Feet Blues, I went online to order a pair of baby shoes. I searched and searched for baby shoes that were 3 inches long but the smallest size that I could find came to just over 4 inches.

The photo above shows me holding those 4+ inch baby shoes during Continue reading →

Dramatic video clip showing footbinding in ancient China – from “Snow Flower and The Secret Fan”

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“Only through pain will you find beauty,” says Snow Flower’s mother as she makes her daughter walk with her feet bound.

In my research for Bound Feet Blues, I’ve been looking into what it was like for young girls to have their feet bound. I came across the movie Snow Flower and The Secret Fan – see my blog post from earlier this week “Beaches” with Bound Feet – footbinding and female friendship – which is all about footbinding.

Here is a clip showing the sequence where one of the girls has to endure footbinding:

It is painful to watch and is  a moving dramatisation of what it must have been like for little girls who had to endure this brutal process.

The one comment I would have, however, is that from my research, footbinding is a process and not just a one-off as the film suggests.

As a girl grow up, her feet keep growing so Continue reading →