“Mum, tell us a story!” – Bound Feet Blues Performance Photo

Bound Feet Blues evolved from stories that were told to writer/ performer Yang-May Ooi by the women in her family. In this scene, Yang-May portrays an evening at home in Malaysia when she was an 8-year old child, running into her parents bedroom with her brother and sister, and asking her mother to tell them a story: “Mum, tell us a story!”.

** Bound Feet Blues is NOW ON  at the Tristan Bates Theatre until Sat 12 December 2015. Don’t miss this “mesmerising” and “powerful” show – buy tickets below or via bit.ly/bfbtickets **

 

The photo is from the Oct 2014 showcase performance.

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**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

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Introducing the landscape of Bound Feet Blues – Malaysia, where writer/ performer Yang-May Ooi grew up

The setting of Bound Feet Blues ranges from Oxford in England to China and the Australian Outback – and to Malaysia, the childhood home of writer/ performer Yang-May Ooi. We are sharing with you some of these landscapes here on this blog.

Many of the scenes in Bound Feet Blues depict Yang-May as a child running barefoot in the garden and spending time with her family.  To give you a feel of that lush tropical landscape that forms the central heart of the show, here are some photos of gardens in Malaysia and of Kuala Lumpur, Yang-May’s hometown.

 

Garden, Kuala Lumpur – from flickr.com (CCL) https://www.flickr.com/photos/smarterwithin/

 

Garden, Kuala Lumpur – via Pinterest – https://uk.pinterest.com/pin/412079434624710326/

 

Malaysia – contrast of East and West – from flickr.com (CCL) – https://www.flickr.com/photos/hagens_world/

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BUY TICKETS

**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

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From storytelling to stage performance – Yang-May Ooi talks about her journey from writer to performer

British-Malaysian writer/ performer Yang-May Ooi has been interviewed for Outstation.my, the online magazine for expat Malaysians, by writer/ journalist Ai-Leen Lim. In the interview, she talks about her journey from writer to performer in creating Bound Feet Blues, her solo stage show, opening in London’s West End on 24 November.

You can read the full article, – brilliantly titled “The Rebel Bearing Shoes”! – with background information about Yang-May by clicking on the image below…

outstation screenshot

Outstation.my is an online magazine for Malaysians living abroad. Ai-Leen Lim is a writer/ journalist from Malaysia, now living in London.

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Capture your family history before it’s too late

Where do we come from? WHO do we come from? Our family history can give us our identity, shape how we view ourselves and our place in the world.

I am so grateful to my 13 year old self. Because in 1976, I asked my Grandpa to tell me about our family history and I recorded it on a tape recorder. In that recording, he tells the story of how his grand-father, my great-great grandfather, came to Malaya (now Malaysia) from China. He died the following year. It is the only family recording we have of Grandpa’s voice and it is the official account of the story of our family (on my mother’s side).

You can listen to the recording via the player below. (The recording was first published on my previous blog Fusion View)

[audio http://media.ipadio.com/698228_201308311429507588.mp3]

 

My Grandpa carrying me

In addition to this recording I have recordings of my Grandma and also reams of notes of stories and conversations with other aged relations, collected over time.

Now I am 51+ – about the same age as my Grandpa was in the photo above. My fascination with my family heritage has led me to create Bound Feet Blues, the story performance. I am also writing a book telling the Stories Behind the Story of the show – which will include the story about the Bandit Boy that Grandpa refers to in the recording. Not only has my interest in my family history sparked my creativity, it has also given me a sense of who I am and my place in the world.

Audiences for Bound Feet Blues seem fascinated by the family stories portrayed in the show – and I think this is as much because it prompts them to reflect on their own family and their relationship with their parents and grandparents and great-grandparents as it is to do with any particular interest in the specifics of my family. Many people have said to me that they wish they knew more about their own family history.

If you are interested in your family history, Continue reading

An elderly lady recalls her experience of footbinding [video]

In this video, a 90+ year old Chinese lady in Malaysia is interviewed, talking about her experience of having her feet bound.

The practice of footbinding did not take place in Malaysia but many women who had had their feet bound as childre migrated to Malaya (as Malaysia used to be called before independence from British rule) in later life.

 

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First look at the new cover for Mindgame – my lesbian thriller set in Malaysia

I am very excited to share with you the new cover for Mindgame, my second novel and the first – and only – Malaysian lesbian thriller!

The cover is designed by Monsoon Books for the new ebook version that they will be bringing out shortly. It depicts the dark themes of the book quite well, I think:

# the mind manipulation is suggested by the dark swirling cloud to the young woman’s right

# the dream-like, hallucinations bubble up around her, partly light, partly dark

# behind all that, there is an ominous Continue reading

How does a woman with bound feet “run away” from her family?

How does a woman with bound feet “run away” from her family?

This is the question that has haunted me ever since I was a child when I heard the story of my great-grandmother who had bound feet.

 

Photo:<!--###IMAGE_BRIEF###-->

Here is the story that has been passed down in my family, which I pieced together from different family members:

Great-grandfather was a hospital orderly in Taiping (a small town in Perak in Malaysia) when he came across a young woman with bound feet who Continue reading

Is there such a thing as “the good Malaysian woman”? This exhibition in Kuala Lumpur investigates

The Good Malaysian Woman exhibtion looks like a fascinating exhibition of Malaysian artists exploring “questions that affect women like “whose view”, “what is right or wrong”, “who judges” and “should they judge”.”

Read more at; http://www.fz.com/content/good-malaysian-women-different-perception

Bound Feet Blues explores what it means to be a woman within Chinese culture, going back to ancient times when women in China had bound feet and paralleling that with my own experience of growing up in Malaysia. It touches on gender roles, female desirability and conformity – all themes being explored by the artists in this exhibition.

The exhibition is supported by…

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Bound Feet Blues – Researching My Great Grandmother’s Journey from China to Malaya by Junk

I am now working on the second half of Bound Feet Blues. There is very little factual information or evidence in our family stories about my great grandmother. All we know is that at some point, as an adult, she left China and travelled to Malaya where she would meet the man who would become my great grandfather. We have no information about where she lived in China or which port she would have left from or arrived at.

I want to insert a line in Bound Feet Blues about how long the journey by sea would have taken her eg “It was a ….. days or …. weeks journey”.

For that single sentence, I looked at Continue reading