How does a woman with bound feet “run away” from her family?
This is the question that has haunted me ever since I was a child when I heard the story of my great-grandmother who had bound feet.
Here is the story that has been passed down in my family, which I pieced together from different family members:
Great-grandfather was a hospital orderly in Taiping (a small town in Perak in Malaysia) when he came across a young woman with bound feet who Continue reading →
In Chinese tradition, where marriages were made for social or business reasons and where women – especially those with tiny bound feet – were seen as trophies, there was a recognition that women would not find much emotional comfort, love or meaningful human connection with their husbands.
So as part of this tradition, girls were given “sworn sisters” who would be their emotional partner – rather like the “blood brothers” relationship that boys would have. These formally sanctioned and socially accepted partnerships were known as “laotongs”.
I learnt about this intriguing custom from the film Snow Flower and The Secret Fan which I discovered over the weekend, based on the novel by Lisa See. How had I not known about this touching tradition before now!
Here is the official movie trailer:
The movie is about two female friendships, one set in modern Shanghai and the other in 19th century China, during the Boxer Rebellion. The same two actresses portray the two pairs of friends. The arc of the story has echoes Continue reading →
I’ve been researching the history of bound feet for my solo performance piece Bound Feet Blues.
According to Wikipedia
Bound feet became a mark of beauty and was also a prerequisite for finding a husband. It also became an avenue for poorer women to marry into money; for example, in Guangdong in the late 19th century, it was customary to bind the feet of the eldest daughter of a lower-class family who was intended to be brought up as a lady. Her younger sisters would grow up to be bond-servants or domestic slaves and, when old enough, either the concubines of rich men or the wives of laboring men, able to work in the fields alongside them. In contrast, the tiny, narrow feet of the “ladies” were considered beautiful and made a woman’s movements more feminine and dainty, and it was assumed these eldest daughters would never need to work. Women, their families, and their husbands took great pride in tiny feet, with the ideal length, called the “Golden Lotus”, being about 7 cm (3 inches) long.[7] This pride was reflected in the elegantly embroidered silk slippers and wrappings girls and women wore to cover their feet. Walking on bound feet necessitated bending the knees slightly and swaying to maintain proper movement and balance, a dainty walk that was also considered erotic to men.[8]