Yang-May Ooi will be at Papergang’s Echo Event at Bush Theatre, 20 Oct 2015 for a night of East Asian stories

Yang-May Ooi will be taking part in an evening of East Asian story-exchanges with other established and upcoming East Asian artists at the Bush Theatre on 20 Oct 2015. The event is hosted by Papergang Theatre, a platform for British East Asian artist.

Papergang Echo event at Bush Theatre 20Oct15 screenshot

Here is what Papergang has to say about the evening:

“Through a mix of performance, poetry and music, established and up-and-coming artists are keen to share their tales, to awaken us, to connect us and to inspire…

Listen as our guests divulge personal anecdotes born from the different cultures that have shaped them – fantastical tales, personal truths, memories of far-flung shores or incidents that happened right here in our city.”

The event is already sold out!

Yang-May will be performing an extract from Bound Feet Blues. She says: “I’m also looking forward to seeing Continue reading

Meet the Sponsors of Bound Feet Blues

To put one person on stage for a solo theatre show like Bound Feet Blues, you need a team of other talented professionals working behind the scenes to make sure a range of components are all in place – from the creative vision, to production and business matters, set and lighting design, costume and the running of the show every night. There is also of course the theatre space that is the foundation of the whole project.

Over the next few weeks, we will be introducing you to the creative team here on this blog. Today, we would like to introduce to you – and thank – our supporters and sponsors without whom this 3 week production of Bound Feet Blues would not be possible.

Arts Council, England

This production of Bound Feet Blues – as well as research and development for the showcase performance in Oct last year – is generously supported by funding from Arts Council, England. We are grateful for their support.

Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. We support a range of activities across the arts, museums and libraries – from theatre to digital art, reading to dance, music to literature, and crafts to collections. We believe that art and culture make life better, helps to build diverse communities and improves our quality of life.  Great art and culture can inspire our education system, boost our economy and give our nation international standing.   – See more at: http://www.artscouncil.org.uk/what-we-do/#sthash.VUv8wa3X.dpuf

The Housing Finance Corporation (THFC)

We are indebted to The Housing Finance Corporation, which is match-funding this production of Bound Feet Blues.

Piers Williamson, Chief Executive, says: “THFC is proud to sponsor this intriguing piece of theatre. Bound Feet Blues is a show with an impassioned message about personal empowerment, acceptance of diversity and the relationship of an individual within her community. These themes are consistent with our corporate values as an independent mutually owned finance company and our core business of funding affordable housing in diverse communities. We hope that you will enjoy this innovative and thought-provoking theatre piece.”

 

THFC is an independent, specialist, not-for-profit organisation that makes loans to regulated Housing Associations, that Continue reading

Do our shoes shape who we are? [video] – Yang-May Ooi, writer/ performer of Bound Feet Blues, thinks so

Yang-May Ooi, writer/ performer of Bound Feet Blues – A Life Told in Shoes, talks about how shoes and bound feet in her extra-ordinary theatre piece are a metaphor for who we are – and who we long to be.

Bound Feet Blues – A Life Told in Shoes is a solo story performance written and performed by Yang-May Ooi and directed by Jessica Higgs. A memoir of the same name by Yang-May Ooi is also being published.

ABOUT THE SHOW
In an epic journey from China via East Asia and Australia to England, British-Malaysian writer-performer Yang-May Ooi explores female empowerment and desirability through the oral histories of three generations of her family and the shoes in her life. Yang-May uses the ancient Chinese tradition of footbinding experienced by Continue reading