How to wear a Cheongsam [Extract from Chapter One: Stilettos – Bound Feet Blues, The Book]

As you may know, I’ve been working on Bound Feet Blues – The Book which brings together the stories behind the story of the show. I have just finished Chapter One: Stilettos, bringing it home at 17,000+ words. The chapter goes behind the scenes of the opening sequence of the theatre performance, which depicts me walking to a ball in stilettos and a red cheongsam, aged 20.

I share stories of my coming of age as a young woman at Oxford, falling in love and discovering the power of my femininity – and how I transformed from a shy, awkward fresher into a woman who can sashay along confidently in a slinky evening gown.

” You must be sleek and slim – and curvaceous, but only in the right places”

Here is an extract, describing what it takes to wear the tight fitting, figure hugging, seductive Chinese traditional dress, while walking in heels…

I like this shade of red. The grey backdrop has given me an idea, what about light grey cheongsams for the bridesmaids? That could look really nice and help the bride stand out more.

 ~~~

“There is something about the severity of the high collar and the unforgiving close fit of the cheongsam  that requires a sternness in your upper body as you wear it. You cannot slack if you are to keep the cloth from creasing over your belly or pulling up over any untoward bumps and crevices. You must be sleek and slim – and curvaceous, but only in the right places, which is why the dress has to be tailor made for exactly your shape and cannot be Continue reading

Now that’s what I call Killer Heels

The Guardian has a terrific gallery of photos showing a selection of totally bonkers high heels including this pair of killer stilettos…. – from an exhibition aptly entitled Killer Heels at the Brooklyn Museum, on now till 15 Feb 2015.

Christian Louboutin. Printz,  Spring/Summer 2013 14. Courtesy of Christian Louboutin.

 

The gallery shows that high heels were also in fashion in ancient China – see this pair below. They emulated bound feet for the ruling Continue reading

Yang-May Ooi on BBC London Live

I went in to the BBC London Live studios on 16 Oct to chat with the delightful Jo Good about my novels The Flame Tree and Mindgame and also Bound Feet Blues.

In case you missed it, here is the interview again. It runs for about 20 mins. Click on the image below and an audio player will open up.

 

Or, you can click on this link – https://app.box.com/s/n5kxj3szaric1d03r8qi

 

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Bound Feet Blues Rehearsal Photos – with writer/ performer Yang-May Ooi and director Jessica Higgs

These photos were taken at a rehearsal the week before the Bound Feet Blues showcase performance. They show me in various scenes from the show, and discussing the script with director Jessica Higgs.

The photos were taken by the brilliant Claudia Rocha

The iconic pose showing my left hand as a bound foot “The Golden Lotus”

 

Discussing the script with director Jessica Higgs

Two more photos below –  Continue reading

Yang-May Ooi talking about Bound Feet Blues at SEA Arts Festival 2014 [video]

Here’s a short video interview of me talking about the inspirations behind Bound Feet Blues and the challenges of bringing it to the stage.

It was filmed just after the Heritage Panel that I took part in, discussing the role of heritage in South East Asian Performance with Anna Nguyen of Trikhon Theatre and Elaine Foo of TrueHeart Theatre.

There’s also a short snippet of me performing a scene from the show for the audience at the Heritage Panel.

Enjoy!

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Bound Feet Blues Programme for the Showcase Performance at Tristan Bates Theatre on Mon 13 Oct at 8pm

We have just finalised the programme for the upcoming showcase performance on Mon and I thought I’d share it with you. Click on the image below and the programme will open up in a reading pane.

prog-snapshot

 

The direct link to the programme is at https://app.box.com/s/uyt1pds75o3dapi6zuam

For those of you who are coming to the show – see you there!

For those who were too late to buy tickets – we hope to bring a full production to fruition in 2015 with a 2-3 week run so stay tuned…!

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Award-winning speaker and “story archaelogist” Beverley Glick to chair Bound Feet Blues Q&A

I am thrilled that the brilliant Beverley Glick has agreed to chair the Q&A after the showcase performance of Bound Feet Blues on Mon 13 Oct at the Tristan Bates Theatre.

Beverley is an award-winning speaker and “story archaeologist” who works with individuals and businesses to find their authentic stories. She is the co-founder of the cult storytelling club The Story Party where I started my storytelling adventure that led me to create Bound Feet Blues.

 

Photo by Rita Abreu www.araphotography.co.uk

 

I got to know Beverley a couple of years ago from a public speaking course we both took part in and since then, I’ve seen her working with Continue reading

Sweet Vintage Photo of Butch and Femme Japanese-style

Bound Feet Blues is as much about my own personal coming out story as it is about the story of great-grandmother with bound feet. Footbinding in the show is a metaphor for the binding up of who we really are, of our natural selves, in order to fit into an social construct of what a woman should be.

The story also explores how I used to be a tomboy and what that meant for me in terms of freedom vs constraint, power vs restriction, heartfelt love vs pretending to be someone I was not. For me, coming out was the ultimate act of unbinding and personal empowerment – signified by the freedom to wear whatever I choose, whether fully female or male attire or an androgynous combination of both….

Two Japanese women featuring vintage cross-dressing.

 

This vintage photo shows two Japanese women, one in female clothing, the other in man’s clothes. I’ve not been able to Continue reading

Performance photo – the most prized, smallest foot was “the golden lotus”

I perform Bound Feet Blues without any costumes or props – or even any shoes. My aim is to invite the audience to experience the show in the way that we have all experienced stories being told to us when we were children – that is, by co-creating the characters, events and landscapes in our imaginations.

I use my left hand to map the process of footbinding – it starts off as a normal “foot” and is steadily contorted and “broken” into the twisted shape that you see in the photo below. For comparison, I’ve also found a photo of an actual bound foot – also below.

 

 

 

This performance photo was taken at the scratch night in March at Conway Hall.

The most prized foot was called “the golden lotus” – it was Continue reading

Chilling photo of a castrated Eunuch of Ancient China

While women in Ancient China had to endure their feet being broken and bound in order to conform to the traditional Chinese cultural ideal of feminine beauty, some men endured castration in order to rise in the ranks of power.

This is a chilling photo of what castration meant for a man of that time

Eunuch-is a castrated man. In ancient China, castration was a traditional punishment or a means of gaining employment. During the Ming Dynasty there were 70,000 eunuchs, some by self-castration. Some of these individuals had powers that were greater than those of the prime ministers. Self-castration became illegal and by 1912, less than 500 eunuchs existed and their jobs ended. Eunuchs castrated before puberty were valued for their exceptional high pitch voices.

 

According to  Green 9999 on Pinterest:

Eunuch-is a castrated man. In ancient China, castration was a traditional punishment or a means of gaining employment. During the Ming Dynasty there were 70,000 eunuchs, some by self-castration. Some of these individuals had Continue reading