Yang-May Ooi on Resonance FM’s Out in South London talking about Bound Feet Blues with Rosie Wilby

Writer/ performer Yang-May Ooi dropped into the Out in South London studio at Resonance FM earlier this week to talk to Rosie Wilby about Bound Feet Blues, the show and the book. Bound Feet Blues may be about bound feet but it is also Yang-May’s coming out story – and Yang-May chats to Rosie about the metaphor of binding and restriction in the show and how it relates to her emerging lesbian identity. They also talk about friendship and falling in love… of course!

To listen to the conversation with Yang-May, click on the image below:

resonance screenshot

OR click here to launch the audio player

You can also listen to the whole show via the Out in South London Listen Again page for 17 November 2015.

Out in South London

Out In South London is a weekly LGBT radio show on Resonance 104.4FM that goes out live every Tuesday at 6.30pm. It is devised and presented by comedian Rosie Wilby and jointly produced by Rosie Wilby and Sabine Schereck.

Out in South London started as a monthly show on South City Radio in Peckham in December 2008. Rosie was inspired by shows like Out This Week on Radio 5 Live in the 1990s, where she once worked as a trainee reporter. The show transferred to Resonance 104.4FM in late 2009.

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BUY TICKETS

**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

**BUY ONLINE via: bit.ly/bfbtickets **

From storytelling to stage performance – Yang-May Ooi talks about her journey from writer to performer

British-Malaysian writer/ performer Yang-May Ooi has been interviewed for Outstation.my, the online magazine for expat Malaysians, by writer/ journalist Ai-Leen Lim. In the interview, she talks about her journey from writer to performer in creating Bound Feet Blues, her solo stage show, opening in London’s West End on 24 November.

You can read the full article, – brilliantly titled “The Rebel Bearing Shoes”! – with background information about Yang-May by clicking on the image below…

outstation screenshot

Outstation.my is an online magazine for Malaysians living abroad. Ai-Leen Lim is a writer/ journalist from Malaysia, now living in London.

Continue reading

One week to the opening night of Bound Feet Blues! Have you got your ticket yet?

Yang-May Ooi’s astonishing one woman show Bound Feet Blues will open in one week’s time on Tuesday 24 November 2015 at Tristan Bates Theatre. Have you got your ticket yet?

Not yet? Don’t miss this extra-ordinary tour de force solo performance. You can still buy tickets via bit.ly/bfbtickets

Bound Feet Blues takes us back to ancient China to the inner chamber of a mother with bound feet as she describes and demonstrates the brutal practice of footbinding on her daughter. We may judge this in our modern times as cruel but if we were women living in that time, would we do the same out of love for our little girl?

We also see Yang-May as a tomboy aged 10 and as Continue reading

Keep pushing your comfort zone creatively, Bound Feet Blues writer/ performer Yang-May Ooi advises storytellers [audio interview for The Story Party]

In this audio interview with Beverley Glick for The Story Pary, writer/ performer Yang-May Ooi advises storytellers that the key to creative development is to keep pushing your comfort zone.

She talks about experimentation as the starting point for her remarkable theatre piece Bound Feet Blues, which is a mix of storytelling and performance. And she urges anyone who would like to have a go at storytelling to go for it and contact The Story Party, where she will be joining Beverley Glick next year to offer coaching to would-be storytellers.

You can read Beverley’s intro and listen to the audio interview by clicking on the image below:

storyparty screenshot

OR

You can listen to the full audio interview via the player below:

[audio http://www.thestoryparty.co.uk/wp-content/uploads/2015/11/Yang-May-interview-1.mp3]

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The Story Party is a regular storytelling soiree in central London co-founded by Beverley Glick and Mary Ann Mhina. As speakers, writers and advocates of the power of story, we set up The Story Party to create a safe space in which to share personal stories that can deepen our connection to each other – stories that are personal but also universal; stories that speak volumes about what it means to be human. Go to http://www.thestoryparty.co.uk/ to find out more.

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You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

 

Photos and Write Up from Papergang Theatre’s Echo Night at the Bush Theatre – incl Bound Feet Blues extract

Writer/ performer Yang-May Ooi was invited to perform an extract of Bound Feet Blues at the Echo event of East Asian performers at the Bush Theatre, hosted by Papergang Theatre back in October. Here are some photos from the night – and also a write up by Papergang on their blog.

Yang-May writes: “It was great fun – and also a privilege to be performing alongside so many talented East Asian artists. Thank you to Papergang Theatre for inviting me to show an extract from Bound Feet Blues. The audience were warm and enthusiastic – some of them said the character of my Mum that I played reminded them of their old aunties from Malaysia! I am delighted!”

With the other performers on the night, and Papergang Theatre founders Simon Ly and Clarissa Wylde (extreme left) Photo credit: Papergang Theatre

Performing “Some Enchanted Evening” extract from Bound Feet Blues

 

Team BFB L – R: producer Eldarin Yeong, director Jessica Higgs, writer/ performer Yang-May Ooi

For a write up of the evening, check out Papergang Theatre’s blog post “Echo at the Bush”:

“Tuesday 20th of October, saw our first collaboration with the Bush Theatre, a new writing and storytelling event ECHO. We showcased an evening with Continue reading

Yang-May Ooi, writer and performer of Bound Feet Blues, talks about the power of storytelling and writing from personal experience [video]

Yang-May Ooi, writer/ performer of Bound Feet Blues talks about the inspiration behind her extra-ordinary solo story performance and the memoir accompanying the theatre piece.

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You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

For National Coming Out Day, read a FREE extract from Yang-May Ooi’s coming out story as told in her memoir Bound Feet Blues, the book

To celebrate National Coming Out Day tomorrow, Sunday 11 Oct, writer/ performer Yang-May Ooi shares an extract from her memoir Bound Feet Blues – A Life Told in Shoes, the book that is inspired by her solo theatre piece of the same name. Bound Feet Blues is as much about Yang-May’s journey to discovering her sexual identity as it is the story of the women in her family. 

Here is the extract from the chapter entitled “Biker Boots” from the book, Bound Feet Blues:

Coming out is a rite of passage.

In the world of debutantes and high society, it is an ancient tradition going back generations. When a young woman comes of age, she is invited to a coming out ball to introduce her to society – and  in the aristocratic classes in Britain, to present her to the monarch. It is her “debut” into the world as an adult – or, rather, as a fertile virgin of a marriagable age. This custom continues to this day among the elite not just in Britain but also, surprisingly, in the ideally classless societies of Australia and the United States.

The coming out ball is the moment when high society gathers to view the future of their dynasties. Debutantes customarily wear white ball gowns, sometimes with long white Cinderella gloves and sometimes with tiaras or both.  If you Google images of  “debutante ball coming out”, you will see that the styles of the ball dresses have changed little since Victorian times and often the young women are indistinguishable from each other in their demure, beautiful uniforms. The eligible young bachelors gather round them in white tie and tails and suddenly, we are back in the world of Jane Austen and Downton Abbey and fairy tale princesses.

For a young woman in that society, to come out is to emerge from Continue reading

Do our shoes shape who we are? [video] – Yang-May Ooi, writer/ performer of Bound Feet Blues, thinks so

Yang-May Ooi, writer/ performer of Bound Feet Blues – A Life Told in Shoes, talks about how shoes and bound feet in her extra-ordinary theatre piece are a metaphor for who we are – and who we long to be.

Bound Feet Blues – A Life Told in Shoes is a solo story performance written and performed by Yang-May Ooi and directed by Jessica Higgs. A memoir of the same name by Yang-May Ooi is also being published.

ABOUT THE SHOW
In an epic journey from China via East Asia and Australia to England, British-Malaysian writer-performer Yang-May Ooi explores female empowerment and desirability through the oral histories of three generations of her family and the shoes in her life. Yang-May uses the ancient Chinese tradition of footbinding experienced by Continue reading

Be the first to read an extract from Bound Feet Blues, the book

Writer/ Performer Yang-May Ooi shares an extract from her new book, Bound Feet Blues – A Life Told in Shoes. The manuscript has just been submitted to publisher Urbane Publications and will be available in bookshops and online in early November. 

I was very pleased at the weekend to be able to put the finishing touches to the manuscript of Bound Feet Blues, the book and to dispatch it to Matthew Smith, my publisher at Urbane Publications.

As I celebrated with some bubbly with my partner, I reflected on how taking of my shoes and going barefoot transformed the stage version of Bound Feet Blues from a long form style of storytelling into a dramatic performance.

 

I write about that moment in the book so what better way to share my reflections here than with an extract…

I began to go through the scenes of Bound Feet Blues. The sexy walking in the opening moments became sexier. In the scene when I am eight, I suddenly took off half running, half skipping round the dining room – my whole body expressed the gangly movements of a little girl. As the bound foot mother, I stood with Continue reading

A Love Story passed down from My Grandma – Women’s History Month

In Bound Feet Blues, the show, I recount the story of how my parents met – as told to us by my mother when we were kids. On stage, I become my mother as we all curl up in bed and she tells the romantic story of meeting the man who would become her husband.

“How we first met” is a genre of the oral storytelling tradition within families – and also among circles of friends. We all want to know where we come from – even, or especially, as young children. We are trying to figure out who we are and what being alive means. Hearing how our parents met gives us the context and if we’re lucky, it tells us we were born from love.

My grandparents (R) met and fell in love. My parents (L) met and fell in love. So here I am (baby in the middle)

 

In my story performance, I can only tell the one story ie about how my mother met my father. But there are a number of “how we met” stories in my family. The show is only one hour long – which amounts to 25 pages of text. In the book Bound Feet Blues: The Stories behind the Story that I am currently writing, I have more room to tell those other stories as well.

Here is an extract, telling the love story of my grandparents, my mother’s mum and dad:

“It was funny to think of Grandma and Grandpa – well, before they became Grandma and Grandpa. We loved leafing through their photo album and seeing them so young and fresh-faced, Grandpa in those baggy ‘30s style trousers and Grandma in pretty cheongsams and chunky high heels of that time. It was odd to see them in our minds as two young medical students, hanging out with their pals and horsing around in such a scandalous way. It was odd to see a photo of Grandpa playing rugby and running in a race, looking hunky and sweaty, his Brylcreemed hair flying in the wind.

 “I would go and watch him play matches-lah,” Grandma said coyly. “And then he notice me always there and he Continue reading