Learn How To Magnify Your Stage Presence to Supercharge Your Public Speaking

Are your nerves letting you down when you have to give a presentation? Is your delivery getting in the way of the othewise powerful message you want to convey to your audience?

If you want to learn the secrets of commanding a full theatre – and have fun, too, along the way – come to the storytelling and perfomance masterclass Own Your Story, Own the Room on Sat 16 May 2015 in Central London.

I’ll be sharing what I learnt from performing my solo show Bound Feet Blues to a sold-out West End theatre so you can take home with you tools to:

# dominate any stage you may be invited to speak on

# welcome and accept the gaze of your audience

# connect warmly with your audience

In Bound Feet Blues, I stand alone on stage for one hour to deliver a dramatised story, playing all the different characters and taking the audience to settings from Oxford, to ancient China and Australia and Malaysia – all without any costumes, props, scenery/ backdrops or music and performed barefoot. The success of the piece depends entirely on me. I must command the stage and hold the attention of the audience for a full 60 minutes. The showcase performance in Oct last year received 4+ Star reviews and one reviewer said of the piece, “a deeply personal and heartfelt performance… I felt the eyes of the audience follow Ooi unblinkingly until the end.”

Do you want to know how you can command the stage like this, too? The masterclass on 16 May could be for you. It will include theatre games that I have devised that will give you experiential learning – one of the best ways to capture performance mastery to magnify your stage presence.

My colleague, Beverley Glick, an award-winning speaker and well-respected journalist, is co-facilitating the masterclass and we will also be guiding participants through how to find the inspiring personal stories in their lives. You will discover how to Continue reading

Walking Wild, Walking Free

One of the themes of my show Bound Feet Blues is the power of being able to walk on your own two feet.  This theme is a very personal one for me as I love being able to stride about. In my daily life, I value being able to choose where I go and taking in the busy urban landscape of London at a walking pace. I also love long walks in the countryside and in particular, walking on long distance trails.

With my partner and our friends, over the last three years, I have walked almost 300 miles along some of Britain’s most beautiful long distance paths.

So, as you can imagine, I am an avid fan of Cheryl Strayed‘s hiking memoir Wild – about her 1,000 mile transformational hike along the Pacific Crest Trail in America. And last weekend, we headed off to the movies to see the film version starring Reese Witherspoon. See the trailer below.

 

The movie is a terrific adaptation of the book, bringing out the internal journey as much as the external journey. The story is as much about a an intense mother-daughter relationship as it is about Cheryl’s discovery of who she is through the solo challenge of the long distance  hike – in fact, the two themes are inextricably linked. This thread means a lot to me as Bound Feet Blues is also about intense mother-daughter relationships  – and self-discovery is portrayed through two life transforming hikes!

Here’s what the New York Times Review said of WildContinue reading

Beautiful women are evil – so said the Ancient Greeks

Bound Feet Blues explores female beauty in the context of Ancient China and the practice of footbinding that was meant to make a woman more beautiful. My work on this project has led me to reflect on modern concepts of beauty in the modern West. Now, I have just  seen this article on the BBC website by historian Bethany Hughes looking at the beauty in the world of the Ancient Greeks – and it points to a rather different view of beauty from what we are used to.

The article says “In ancient Greece the rules of beauty were all important. Things were good for men who were buff and glossy. And for women, fuller-figured redheads were in favour – but they had to contend with an ominous undercurrent”

In Greek mythology, the first woman to be created was …” “the beautiful-evil thing”. She was evil because she was beautiful, and beautiful because she was evil. Being a good-looking man was fundamentally good news. Being a handsome woman, by definition, spelt trouble.”

This point of view contrasts with most notions of beauty which ellide goodness of character with good looks. In Ancient China, for example, an Exemplary Woman was one who was obedient and dutiful – and who was also beautiful, where her beauty was entirely defined by the tiny size of her feet. In modern times, heroines in movies and books tend to be beautiful, too, rather than plain or ugly unless their plainness is part of the plot device/ reason for the story.

However, this Greek notion of female beauty as evil does live on today in the modern trope of the evil seductress whose beauty is Continue reading

The Institute of Sexology exhibition includes bound feet artefacts

We went to the The Institute of Sexology | Wellcome Collection exhibition just before Xmas. It is a fascinating history of the study of human sexuality and includes a number of artefacts from China showing women with bound feet. I blogged a few days ago about an ivory carving showing a Chinese couple making love which is on show at the exhibiton.

 

Catch it if you can before Sept 2015. Here is the blurb and also the promotional video:

” ‘The Institute of Sexology’ tells the complex and often contradictory story of the study of sex through Continue reading

Researching the history of the iconic cheongsam, the Chinese traditional dress

On this wet Sunday afternoon, I am feeling very sorry for myself – laid up with a cold – but I am distracting myself by researching the history of the the cheongsam for Bound Feet Blues, The Book.


What I am learning is that clothing has national and political significance. The cheongsam originated with Manchu rule in China when the Manchurians from the North East overthrew the Ming Dynasty in 1644. They required all men to wear their hair in a plait – known as a queue – and everyone had to wear clothing in the Manchu style: with the high collar and side buttons. Those who defied this requirement could be punished by death. It was a way of dominating the Continue reading

4+ Stars! Rave Reviews for Bound Feet Blues Showcase

The reviews are out for the Bound Feet Blues showcase performance on Monday night – and the show has been given 4+ Stars. As you can imagine, I am delighted!

Bound feet blues

 

The Public Reviews

The Public Reviews, UK

The theatre review online magazine The Public Reviews gave Bound Feet Blues a 4.5 star rating (out of 5 stars) and described the show as “powerful” and “beautifully performed and directed”. Read the review by Nichola Daunton:  “Bound Feet Blues – A Life Told in Shoes – Tristan Bates Theatre” (14 Oct 2014).

“With a tiny three inch foot being the ideal size and the process of binding and bone breaking beginning at the age of four, Yang-May’s performance as the mother of a small child who is just beginning the process is very powerful. The fact that Yang-May performs bare foot throughout the piece is also an interesting choice and is used to good effect to highlight both her restriction and her freedom as she discovers the person she is meant to be.”

Credit: Eldarin Yeong

 

Everything Theatre

Everything Theatre, UK

This theatre review site which bills itself as the  “honest and unpretentious guide to the London theatre scene”, gave Bound Feet Blues a 4 star review (out of 5). It described the show as “Engaging, eye-opening, funny and moving” and summed it up in one word: “Excellent” Read Hanna Gilbert’s review: Bound Feet Blues – A Life Told in Shoes, Tristan Bates Theatre. (16 Oct 2014)

“Ooi gives a truly fantastic performance, taking on Continue reading

Yang-May Ooi talking about thrillers and bound feet on Radio Verulam [audio]

Here is my interview on Radio Verulam – click on the link below and a player will open up:

https://app.box.com/s/0n1njetp0eut0bv29dxg

  Yang-May Ooi on Radio Verulam

 

 

It’s about 15 mins long. Enjoy!

 

Continue reading

Storytellers Photography Project by Paul Cox

Earlier this year, photographer Paul Cox came over to take a series of photos of me for a photography project focusing on storytellers. He was travelling around the South East of England taking pictures of storytellers in their natural habitat – or rather the places where they got their inspiration. Among the storytellers he had collected were those who specialised in folk tales, myths and legends and local places. I was his only subject whose work is around personal narrative with an East Asian twist.

It was fascinating to watch him work, using a medium format camera and film – yes, film! It was one of those old fashioned looking cameras that you look down at. He also used a light meter. It all felt very charming and old fashioned!

Here is another of the shots below… These pics show me in my garden where  Continue reading

IN THIS BODY – From domination to resistance to freedom

I’m delighted to introduce you to my guest blogger Rona Steinberg, co-founder of an exciting new event for women – and men – called IN THIS BODY. In this exclusive essay for the Bound Feet Blues blog, she writes about her response to the practice of footbinding and reflects on how it can open up topical and relevant discussions for us as modern women about our relationship to our bodies. 

I’m sitting drinking coffee with Yang-May last week in the tranquil surroundings of the courtyard of Southwark Cathedral. It’s late afternoon and it’s been raining but now the weather is clearer and while there’s a chill in the air, we want to sit outside where it’s fresh and mellow and we’re close enough to the river to feel its energy.

Yang-May describes some of the background behind Bound Feet Blues and while I’ve heard some of this story before, I find myself as usual caught up in the compelling drama of her narrative. The story feels urgent, important, it’s vital to bear witness, to stay calm and focus, I tell myself.

And yet my body protests.

Distorting our bodies

My stomach twists with the horror of her description of the actual physical process of the foot binding, my heart cries for the suffering of girls and women, their pain and helplessness and for their mothers, conditioned to believe they do this in service of their daughters. My whole being rages at the sheer injustice, cruelty and harshness of a society which says you must deform and distort your bodies for the pleasure of men.

We wonder if despite how awful it is to listen to all this, if perhaps it’s more possible to stay with the narrative because it feels as if it comes from history, from a different world. And even as I think this, I counter that argument with the knowledge, that no, terrible things are still done to women’s bodies as a way of controlling them, as a way of giving pleasure to men. And still perhaps even more sadly, some women continue to believe that this deception must be maintained for some skewed version of how the status quo must look.

I think how fortunate I am that such things have never happened to me, how would I react if it did, what would I do? Would I submit or resist? Comply or rebel?

A woman’s body in a man’s world

And I reflect on my own experiences of being a girl, a woman in my body. I think about becoming a lawyer, how much my own body, mind and sensibilities resisted the logical thinking that the law requires, how in those sombre, masculine offices how much of myself I denied – my creativity, quirkiness, imagination, intuition and emotional intelligence – in favour of drab documents and endless legal argument. I tried so very hard to be and look professional and competent but I don’t think I was very convincing.

Rona Steinberg, Out Loud Coaching

I remember crying because I couldn’t grasp the mysteries of a balance sheet however much that irritated Continue reading

What do bound feet have in common with a lesbian thriller?

My solo show Bound Feet Blues asks the question: how do we as individuals, and as women, live authentic lives true to ourselves within a dominant culture that seeks to control our bodies and our spirit? Foot binding in ancient China broke a woman’s body physically – but also broke her spirit over the course of the many years it would take to create the perfect tiny foot. What dominant cultural traditions in our modern era play a similar controlling role in who and what we can be?

I’ve just received the proofs of the e-book of my second novel, Mindgame, the first and only lesbian Malaysian thriller. It is soon to be re-issued by Monsoon Books and I am now reading through the proofs – all 450+ pages of the book – to check it before publication. On re-reading the book, I see that this same theme that I explore in Bound Feet Blues also Continue reading