Meet The Centre for Solo Performance where writer/ performer Yang-May Ooi developed the script of Bound Feet Blues

Bound Feet Blues was just an idea in the mind of writer/ performer Yang-May Ooi when she signed up for a workshop at The Centre for Solo Performance in January 2014. With the guidance of facilitators Luke Dixon and Sean Bruno and the feedback of the others workshop participants, Yang-May completed the script of Bound Feet Blues in 12 weeks. She performed a work-in-progress version of the piece at the Centre’s Going Solo scratch night in March 2014 at Conway Hall.

At the performance was one of the producers of the South East Asian (SEA) Arts Festival, Annie Kwan, who invited Yang-May to perform the completed show at that year’s festival in October. The showcase was performed at the Tristan Bates Theatre to a sold out audience and 4+ star reviews. Now, within 2 years of first starting the script, Yang-May and the Bound Feet Blues creative team have brought the show to full production, opening at Tristan Bates Theatre for a 3 week run on 24 November 2015.

The Centre for Solo Performance

CSP-workshopBased in central London at historic Conway Hall, THE CENTRE FOR SOLO PERFORMANCE works with THE CONWAY COLLECTIVE in providing a specialist series of unique performance workshops, events and opportunities catering to writers, actors and performance artists interested in creating, developing, sharing solo performance work.

LukeDixonSeanhiresLuke Dixon is a performance maker, writer, teacher and academic, internationally known for his innovative productions of Shakespeare, his site-specific performances, his teaching of actors and his research into performance. www.lukedixon.co.uk Sean Bruno has a wide range of experience in making, both solo and collaborative, performance work in various contemporary and traditional styles; including dance, spoken word, multimedia and site specific. www.seanbruno.co.uk

Creating Solo PerformanceTheir book Creating Solo Performance is now available as well. It is an innovative toolbox of exercises and challenges focused on providing you – the performer – with engaging and inspiring ways to explore and develop your idea both on the page and in the performance space. Creating Solo Performance by Sean Bruno and Luke Dixon £18.99

You can watch highlights from that first scratch night performance at Conway Hall below:

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**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

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Introducing the landscape of Bound Feet Blues – Malaysia, where writer/ performer Yang-May Ooi grew up

The setting of Bound Feet Blues ranges from Oxford in England to China and the Australian Outback – and to Malaysia, the childhood home of writer/ performer Yang-May Ooi. We are sharing with you some of these landscapes here on this blog.

Many of the scenes in Bound Feet Blues depict Yang-May as a child running barefoot in the garden and spending time with her family.  To give you a feel of that lush tropical landscape that forms the central heart of the show, here are some photos of gardens in Malaysia and of Kuala Lumpur, Yang-May’s hometown.

 

Garden, Kuala Lumpur – from flickr.com (CCL) https://www.flickr.com/photos/smarterwithin/

 

Garden, Kuala Lumpur – via Pinterest – https://uk.pinterest.com/pin/412079434624710326/

 

Malaysia – contrast of East and West – from flickr.com (CCL) – https://www.flickr.com/photos/hagens_world/

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**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

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Meet Bound Feet Blues Q&A chair Beverley Glick (27 November 2015)

There are 3 Q&A sessions taking place during the Bound Feet Blues three week run. The first one will take place after the show on Friday 27 November 2015. We are delighted to welcome back Beverley Glick to chair this first Q&A of the full production. Beverley was our Q&A host for the showcase in October last year and steered us through the evening with quiet warmth. This first Q&A is going to be engaging and discursive with her in the chair again. So please do come and join us on Friday 27 November to see the show and take part in the discussion afterwards with Beverley, writer/ performer Yang-May Ooi and director Jessica Higgs.

Beverley Glick

Beverley Glick has been a professional storyteller for 35 years – first as a music journalist and pop magazine editor and subsequently in a variety of roles on national newspapers. In recent years she trained as a presence-based coach and now help individuals and business owners dig for the personal stories that will change their lives and change the world. She is also a public speaking coach, co-host a live storytelling event (thestoryparty.co.uk) and the author of Dig for the Story in Your Soul – #StoryWisdom to help you author an authentic life (out now on Amazon).

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BUY TICKETS

**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

**BUY ONLINE via: bit.ly/bfbtickets **

From storytelling to stage performance – Yang-May Ooi talks about her journey from writer to performer

British-Malaysian writer/ performer Yang-May Ooi has been interviewed for Outstation.my, the online magazine for expat Malaysians, by writer/ journalist Ai-Leen Lim. In the interview, she talks about her journey from writer to performer in creating Bound Feet Blues, her solo stage show, opening in London’s West End on 24 November.

You can read the full article, – brilliantly titled “The Rebel Bearing Shoes”! – with background information about Yang-May by clicking on the image below…

outstation screenshot

Outstation.my is an online magazine for Malaysians living abroad. Ai-Leen Lim is a writer/ journalist from Malaysia, now living in London.

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The power of vulnerability to inspire others – Yang-May Ooi talks about performing Bound Feet Blues

Yang-May Ooi talks about allowing herself to be vulnerable on stage in performing Bound Feet Blues and how vulnerability can inspire others to connect with their heart and  humanity.  You can read the full interview by writer/ journalist Anna Sayburn Lane on her blog, Bloomsbury Bluestocking.

Click on the image below to go to Anna’s blog to read the full article…

bloomsbury blue screenshot

Bloomsbury Bluestocking is a blog about writing and literature by Anna Sayburn Lane.  Anna is a novelist, short story writer and storyteller, inspired by the history and contemporary life of London. She is editing her first novel,Unlawful Things, and contemplating novel number two. She has published short stories in a number of magazines.

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You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

One week to the opening night of Bound Feet Blues! Have you got your ticket yet?

Yang-May Ooi’s astonishing one woman show Bound Feet Blues will open in one week’s time on Tuesday 24 November 2015 at Tristan Bates Theatre. Have you got your ticket yet?

Not yet? Don’t miss this extra-ordinary tour de force solo performance. You can still buy tickets via bit.ly/bfbtickets

Bound Feet Blues takes us back to ancient China to the inner chamber of a mother with bound feet as she describes and demonstrates the brutal practice of footbinding on her daughter. We may judge this in our modern times as cruel but if we were women living in that time, would we do the same out of love for our little girl?

We also see Yang-May as a tomboy aged 10 and as Continue reading

Introducing the world of Bound Feet Blues: Going to a ball at Oxford

Bound Feet Blues takes the audience on a journey across Europe, Asia and Australia to tell the stories in writer/ performer Yang-May Ooi’s family and in her own life. We will be giving you a snapshot of these landscapes here on this blog over the next few weeks.

Today, Oxford.

Bound Feet Blues opens with a beautiful young woman walking along Oxford’s High Street  to a summer ball in stiletto shoes…

Here are some photos of the beautiful university city of Oxford and its gorgeous summer balls…

 

from flickr.com, thanks to Jessica Keating Photography – https://www.flickr.com/photos/jessandinca/ (CCL)

 

from flickr.com thanks to Queens Ball 2010 – https://www.flickr.com/photos/queens2010/ (CCL)

Bound Feet Blues: “young men in black tie and us girls in our beautiful ball dresses” – writer/ performer Yang-May Ooi, aged 20, with “Josh” on the night of the ball

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The Legacy of Our Stories – read writer/ performer Yang-May Ooi’s article on the blog of the Life Enhancing Coach, Sue Plumtree

As older women, we have a wealth of wisdom and experience. But are we sharing those riches with others or are we hiding them from the world? Writer/ performer Yang-May Ooi is taking to the West End stage for the first time, aged 52, to tell her personal story and she wants more women in mid-life to make a difference to others through sharing their stories. She shares her story on the blog of the Life Enhancing Coach, Sue Plumtree

You can read the full article on Sue’s blog by clicking on the image below:

sue-plumtree-screenshot

Sue Plumtree  is an established author. Her first book ‘Across a Crowded Room: how to find and keep the love of your life’ (Hodder Headline) was followed by ‘Dancing with the Mask: learning to love and be loved’ (find out more here).

She is regularly interviewed by the media, including BBC Radio 4’s ‘Woman’s Hour’, ‘late night with Graham Torrington’, ‘The Daily Mail’, ‘The Daily Telegraph’, ‘The Observer’ and Continue reading

Yang-May Ooi on Radio 4 Midweek talking about Bound Feet Blues – audio

Writer/ performer Yang-May Ooi was on Radio 4 Midweek earlier this week talking about Bound Feet Blues with Libby Purves and other guests Sally Bagnall, Diana Melly and Michael Portillo. Listen to the end to hear her asking Michael Portillo whether he would wear high heel shoes…!

Click on the image below to listen to the audio:

midweek screenshot

OR click here to listen

Comments from listeners:

” I loved your tea carrying story, your ‘would you wear high heels Michael?’ moment, and your use of the word ‘brutal’ to describe foot binding. It was brutal!”

“You were wonderful! particularly enjoyed your question to Portillo re- high heels.”

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BUY TICKETS to Bound Feet Blues

**You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets **

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

**BUY ONLINE via: bit.ly/bfbtickets **

In the studio

L-R: Polly Bagnall, Diana Melly, Yang-May Ooi, Michael Portillo Credit: BBC Midweek

Meet Papergang Theatre, Bound Feet Blues partner at Tristan Bates Theatre as part of the South East Asian Arts Festival

We have invited Papergang Theatre to share our theatre space at Tristan Bates Theatre as both Bound Feet Blues and Papergang are taking part in the South East Asian Arts Festival (SEA Arts Fest). Papergang will be producing three Papergang matinees of play readings by East Asian playwrights during the Bound Feet Blues run – the Bound Feet Blues team are delighted to be able to support new East Asian writing in this way.

Papergang Theatre

Papergang webpage - screenshot

Papergang Theatre was formed by graduates of the Royal Court Unheard Voices programme, which develops writers from ethnic minorities. “Our mission is to create theatre work that reflects the multi-cultural society we live in, bringing contemporary voices from our community into the mainstream.

At Papergang, we know that a writer can only realise their full potential if their work is produced and has a life beyond the page. We are a theatre company led by a diverse range of Continue reading