What was it like to walk with bound feet?

This is the question that I am thinking about at the moment during the development of my performance for Bound Feet Blues. How would having bound feet have affected the way you would walk? How would it have affected your outlook on life, going through the process of the brutal procedure over a number of years and then having to live the rest of your life crippled in this way?

You will have seen my earlier blog post about the film Snow Flower and The Secret Fan and also the clip which I posted showing the footbinding scene from that movie.

That film has been a useful resource in depicting the way that women with bound feet would have walked.

The movie seems quite careful and meticulous about depicting bound feet – after all the whole premise of the story is founded on the women having bound feet. They show what bound feet would have looked like in their little socks and slippers. In long shots, we can see the tiny feet under the women’s gowns (I’d love to know what special effects they used to make the women’s feet seem so small). It looks like in the performances as well, care was taken to depict how women would have moved with bound feet.

I watched those sequences carefully where the bound feet protagonists Snow Flower and her friend Lily are in movement and here are my impressions:

# They move faster than Continue reading

Bound Feet Blues secures Arts Council Funding

I am so excited that the Arts Council has granted funding for the development of Bound Feet Blues!

The funding enables us – my director Jessica Higgs and me – to work on the creation of the performance and explore the most meaningful way that the story can be brought to life on stage. Our work in progress will culminate in the showcase performance at the Tristan Bates Theatre in Oct – show details below.

One condition of the funding is that the Arts Council logo or an acknowledgement to the public funding they are giving us must appear wherever Bound Feet Blues is mentioned.  For me, it feels a privilege to be able to display their logo alongside this project – their support is a public recognition of my transition as Continue reading

Experience London’s Chinese history “on location” in Limehouse – The Last Days of Limehouse [live show]

It’s rare to see theatre pieces in the UK about the Chinese experience of life and featuring Chinese actors. So I’m excited that Yellow Earth Theatre are putting on The Last Days of Limehouse,  a live drama about the Chinese community in Limehouse, London’s original Chinatown.

LimehouseMarketing Image

From the Half Moon Theatre website, with thanks

 

It is a promenade show, which means that it different scenes are enacted in different locations and the audience moves from place to place as the story progresses. The show starts at Limehouse Town Hall where it dramatizes a town hall meeting that took place in 1958 in that very same building. From there, the story will unfold in Continue reading

Why I love this pair of battered biker boots

I’ve been blogging a lot about high heels recently and in particular, my efforts to recreate a swaying, high heeled walk for a scene in Bound Feet Blues.

To give you a contrast – and especially to show you who I am now, here is a photo of the kind of footwear that I stride around in these days.

This is the pair of biker boots that I wear most often in my daily life. They are now a bit beaten up and grungy looking. But I love them because they are the most comfortable pair of boots I have at the moment.

I love the way that they make me feel a bit tough, especially with the two strapped buckles on the side. If you know me, you know that I’m really a softy and not much of a hard-ass biker chick at all – but it gives me a kick (ha ha) to stomp around in these boots that make me feel as if I could win any bar brawl…

For me, the shoes or boots that I wear can really affect Continue reading

Bound Feet Blues strides into London’s West End

I am super excited to report that we are taking Bound Feet Blues to London’s West End for a showcase performance in October!

I will be performing the full 75 mins version – for one night only – as a work-in-progress showcase at the Tristan Bates Theatre on Mon 13 Oct 2014 @8pm. This will present the full story, building on the draft extract that I tried out at Conway Hall in March and will take the piece to its full conclusion.

If you came along Conway Hall, you saw the piece end with me on my knees in defeat, with my heart as Continue reading

Would you get naked in front of a hundred people? Ten Women did

In the finale of the theatre piece Ten Women, the women on stage tried an experiment. What would it be like to show our ordinary, un-Photoshopped bodies in all their frailty and glory to the world?

The all female cast asked themselves that and also invited any members of the audience to join them. Some of the performers stripped naked, others left their underwear on and still others remained fully clothed. No-one in the audience joined them apart from the writer/director and producer who were sitting among us.

It was a powerful, uncomfortable and also celebratory end to the work in progress show exploring what being a real woman with a real body means in a society where “the image of a hyper-sexualised, grossly exaggerated, objectified woman’s body is used to sell pretty much anything”.

TEN WOMEN smaller

Written and directed by Bethan Dear and produced by Amy Clamp from true stories drawn from the other women in the ensemble, Ten Women is a thought provoking piece that tells … Continue reading

Bound Feet Blues showreel is now online – watch highlights of this “riveting” solo show

I’m delighted to share with you the showreel of Bound Feet Blues from the work in progress performance back in March.

Enjoy!

You can see what the audience said about the show at the  Audience Reviews page

The video was filmed and edited by the very talented Claudia Rocha and her team

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Bound Feet Blues: Performance Photos – China Doll – walking to the ball

This moment is from the opening sequence of Bound Feet Blues. My friends and I are walking to a ball in Oxford in 1983…via Flickr http://flic.kr/p/nrsexh 

Continue reading

How hard hearted can I be in Editing Bound Feet Blues?

I Finished the script of Bound Feet Blued a couple of weeks ago. Now be hard task of editing it begins.
 
 
 
I laid out all 25 pages of the script on the dining table so that I could see the flow of the story in one glance. Also, having it spread out in front of me means that I could see how each section relates to other sections.
 
 
 
Assuming three minutes per page, the script was running to about 75 minutes – which is the outside running time. My aim is to try and
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Solo Performance: Bound Feet Blues – A Life Told in Shoes (work in progress)

In Chinese tradition, women with tiny bound feet were desirable as wives and lovers, their delicate feet seen as objects of both status and sexual fetish. In her first full length storytelling piece Bound Feet Blues – A Life Told in Shoes, Chinese-Malaysian story performer Yang-May Ooi explores themes of female desirability, identity and empowerment in this personal story told through the shoes in her life.

The image of Chinese women with bound feet has haunted me since I was a child. I think of these women who have been crippled for life ever since they were 4 years old, unable to walk, with broken stumps for feet beneath the delicately embroidered silk shoes. Just so they can appear to have little, dainty feet and seem to be elegant and graceful – and therefore desirable and marriageable.

Small Feet

I’ve always had small, delicate feet. My shoe size is 3.5 and it’s a real problem trying to Continue reading