Meet Hua Tan, set and lighting designer for Bound Feet Blues

Hua Tan travels between Shanghai and London, working on diverse productions from Chinese language dramas and operas to international collaborations like the National Theatre’s Chinese language production of War Horse. She has created an amazing set for Bound Feet Blues as well as complementing Yang-May’s performance with a nuanced and atmospheric lighting design.

HUA TAN – Theatre Designer

Hua TanHua Tan is an established creative lighting designer and scenographer based in London who works for theatre productions in the UK and China. Hua completed an MA in lighting design from The Central Academy of Drama in China, and an MA distinction in Scenography from The Royal Central School of Speech and Drama. In her varied, successful career Hua has lit and designed for opera, drama, dance, and traditional Chinese operas. The highlights of her career to date include ‘Under The Hawthorn Tree’ (National Theatre of China), ‘Queen of coquetry’ (Shanghai Drama Art Centre) and ‘Open Country’ (Beijing Dance Academy). Her work has attracted awards and prizes including the ‘best lighting design’ at China Lotus Dance Festival, Shanghai Stage Art Society, Henan Theatre Festival, the ‘best set and Continue reading

Meet Eldarin Yeong, producer of Bound Feet Blues

Eldarin Yeong produced the showcase of Bound Feet Blues in Oct last year and is now working on the full production of the show for its 3 week run in Nov/ Dec this year. She brings her calm, efficient energy to the administrative, logistical and business side of the production, pulling it all together to make sure everything goes smoothly.

ELDARIN YEONG – Producer

Eldarin Yeong - Producer, Bound Feet BluesEldarin is a theatre producer and director, and the columnist on Theatre and Arts for UK Chinese Times newspaper. Her producing credits include: The Rites of Spring/ Romeo and Juliet (Concert Theatre National Tour),  Normal Love (Lilian Bailey, Sadler’s Wells),  Thor of the Common Man The Cockpit London), Aquatic The Cockpit London), film Atalantas (British Film Institute),The Monster in the Hall National Theatre of Scotland & Shanghai Grand Theatre) and Continue reading

Read Yang-May Ooi’s article on Coming Out as an Act of Personal Empowerment on Zusterschap for National Coming Out Day

The male gaze has controlled how women look and behave for centuries. In ancient China, that view of women as decorative objects led to the brutal practice of footbinding that crippled Chinese women for a thousand years. Today, women in the West are still expected to be pleasing to men in how we dress and act. In celebration of National Coming Out Day, writer/ performer Yang-May Ooi looks at how coming out as lesbian can be a defiance against that objectifying gaze that is as much about personal empowerment  as it is about sexual orientation….

Read the full article on Zusterchap by clicking on the image below:

zusterchap screenshot

Zusterschap is a blog for women who want to challenge social norms:

“Every woman’s voice is a victory and our goal is to highlight the power of women coming together. No topic is off limits and at Zusterschap we are dedicated to creating a safe space for women.

Our goal is to create a supportive community that anybody can support. We want to encourage people into thinking it’s okay to be different and that it’s okay to want to challenge what society tells us. You don’t have to believe what is being sold to you because it’s all made up anyway.”

Zusterschap was founded March 24th, 2015 by Tara Costello and Katherine Hockley.

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You can buy tickets for Bound Feet Blues via bit.ly/bfbtickets

DETAILS

Tristan Bates Theatre
1A Tower St, Covent Garden WC2H 9NP

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

Do our shoes shape who we are? [video] – Yang-May Ooi, writer/ performer of Bound Feet Blues, thinks so

Yang-May Ooi, writer/ performer of Bound Feet Blues – A Life Told in Shoes, talks about how shoes and bound feet in her extra-ordinary theatre piece are a metaphor for who we are – and who we long to be.

Bound Feet Blues – A Life Told in Shoes is a solo story performance written and performed by Yang-May Ooi and directed by Jessica Higgs. A memoir of the same name by Yang-May Ooi is also being published.

ABOUT THE SHOW
In an epic journey from China via East Asia and Australia to England, British-Malaysian writer-performer Yang-May Ooi explores female empowerment and desirability through the oral histories of three generations of her family and the shoes in her life. Yang-May uses the ancient Chinese tradition of footbinding experienced by Continue reading

Tickets now available for Bound Feet Blues full production – Nov/ Dec 2015

 

I am pleased to announce that tickets are now available for the full production of Bound Feet Blues which will return to the Tristan Bates Theatre in the heart of the West End in Nov/ Dec this year.

The showcase performance last year was sold out two months in advance. For the upcoming full production run, there are only 12 public performances so please do get your tickets soon to avoid missing out again.

What the critics said:

Everything Theatre Everything Theatre, UK

This theatre review site which bills itself as the  “honest and unpretentious guide to the London theatre scene”, gave Bound Feet Blues a 4 star review (out of 5). It described the show as “Engaging, eye-opening, funny and moving” and summed it up in one word: “Excellent” Read Hanna Gilbert’s review: Bound Feet Blues – A Life Told in Shoes, Tristan Bates Theatre. (16 Oct 2014)

 

The Public Reviews  The Public Reviews, UK

The theatre review online magazine The Public Reviews gave Bound Feet Blues a 4.5 star rating (out of 5 stars) and described the show as “powerful” and “beautifully performed and directed”. Read the review by Nichola Daunton:  “Bound Feet Blues – A Life Told in Shoes – Tristan Bates Theatre” (14 Oct 2014).

 

BUY TICKETS NOW

Tue 24 Nov – Sat 12 Dec, Tue – Sat at 7.30pm.
Tickets £16 / £12 concessions.
Q&As post-show, 27 Nov & 4 Dec.

Tristan Bates Theatre – 1A Tower St, Covent Garden WC2H 9NP
Box Office 020 7240 6283
boxoffice@tristanbatestheatre.co.uk

 

See 5,000 pairs of tiny lotus shoes at the Museum of Shoes for Bound Feet – Women’s History Month

The Museum of Shoes for Bound Feet re-opened this year after a fire closed it last year. It would be fascinating to visit it as part of my Bound Feet Blues project but it is in Anren Town of Dayi County, in southwest China’s Sichuan Province.

The press info states:

“In addition to the everyday shoes, the museum also displayed “special-occasion” shoes, which women with bound feet were to wear at wedding ceremonies, birthday parties and funerals as well as rain boots and high-top boots.”

 

I love the way they have displayed some of the shoes – as in the photo above – as if in a modern Continue reading

Boy or girl? A gender busting clothing line from Selfridges

Selfridges is creating a gender blended clothes shopping space so that you can select clothing that is not gender stereotyped. How cool is that!

This news piques my interest because I’ve always been a tomboy. In Bound Feet Blues,  I talk about wearing boy clothes and boy shoes. One of the themes of the show is gender roles and identity within a cultural expectation of what a woman should be like – and look like in the context of her feet and clothing.

You can check out the Agender section in Selfridges website – or go to the store itself –  to see how their clothes may  or may not complement your personal style.

UEG Para Bellum jersey shorts (Black

From what I can see, the clothing seems generally shapeless and baggy so as to hide all curves or forms that might give an observer a clue to the wearer’s gender.

What that made me realise was that I don’t want to look genderless! Despite still retaining a tomboy sensibility, I love being a woman and I enjoy wearing clothes that express the femininity of my physique. It’s just that I don’t go for the particularly “femmey” look involving flower prints, floaty skirts and girly shoes. I haven’t really analysed my personal style before but I suppose it’s still tomboyish but Continue reading

4 Sisters over 40 years – Women’s History Month

Bound Feet Blues tells stories from my family’s past as passed down the generations by the women – my mum, my great-grandmother, my auntie. In researching these stories for the show – and also the book that I am currently working on – I looked through my personal photo albums and also asked my mum to send me photos from hers. It was fascinating to watch my family and I evolve, grow up and grow old over the years.

So when I came across this photo project of four sisters photographed every year for forty years by Nicholas Nixon, I was captivated. The forty photos are intimate, moving, poignant.

<p>2007, Cataumet, Mass.</p>

Susan Minot in this NY Times article says:

“Throughout this series, we watch these women age, undergoing life’s most humbling experience. While many of us can, when pressed, name things we are grateful to Time for bestowing upon us, the lines bracketing our mouths and the loosening of our skin are not among them. So while a part of the spirit sinks at the slow appearance of these women’s jowls, another part is lifted: They are not undone by it. We detect more sorrow, perhaps, in the eyes, more weight in the once-fresh brows. But the more we study the images, the more we see that aging does not define these women. Even as the images tell us, in no uncertain terms, that this is what it looks like to grow old, this is the irrefutable truth, we also learn: This is what endurance looks like.”

Do go over to the NY Times article and look at all 40 photos.

Continue reading

Bound Foot Warrior – Qiu Jin – Women’s History Month

She had bound feet but she loved riding and martial arts. She wore men’s clothing and was a firebrand orator. Her name was Qiu Jin and was a revolutionary in the early 1900s in  China.

Here is a snapshot of what Qiu Jin achieved, from Wikipedia:

“She was an eloquent orator who spoke out for women’s rights, such as the freedom to marry, freedom of education, and abolishment of the practice of foot binding. In 1906 she founded a radical women’s journal with another female poet, Xu Zihua, called China Women’s News (Zhongguo nü bao), though it published only two issues before it was closed by the authorities.[4] In 1907 she became head of the Datong school in Shaoxing, ostensibly a school for sport teachers, but really intended for the military training of revolutionaries.”

Of her early life, we learn this from Don Tow:

“Qiu Jin was born in 1875 in Fujian Province in China, and grew up in Shaoxing, Zhejiang Province. As a child of a fairly well-off family, she was very well educated, much more than other girls of her time. She was very good in literature and writing, both prose and poetry. Unlike most other girls, she was also very much interested in the outdoor and physical activities, such as riding horses and martial arts. Although her feet were bound[1] starting from about five years old as was the norm at that time for Chinese girls from reasonably well-off families, she was quite good in martial arts and other physical activities, an indication of her determination, commitment, and drive. Later as she grew older and started advocating equality for women, she stopped binding her feet.” See Qiu Jin (秋瑾) – China’s First Feminist | Don Tow’s Website.

As for footbinding and women’s rights, we can read a snippet of her writing here via the On This Deity blog (15 July 1907 The Martyrdom of Qiu Jin):

“We women, who have had our feet bound from early childhood, have suffered untold pain and misery, for which our parents showed no pity. Under this treatment our faces grew pinched and thin, and our muscles and bones were cramped and distorted. The consequence is that our bodies are weak and incapable of vigorous activity, and in everything we do we are obliged to lean on others … Sisters, let us today investigate the causes which have led to this want of spirit and energy among women. May it not be because we insist on binding up our girls’ feet at an early age, speaking of their “three-inch golden lilies” and their “captivating little steps”?

Continue reading

Learn How To Magnify Your Stage Presence to Supercharge Your Public Speaking

Are your nerves letting you down when you have to give a presentation? Is your delivery getting in the way of the othewise powerful message you want to convey to your audience?

If you want to learn the secrets of commanding a full theatre – and have fun, too, along the way – come to the storytelling and perfomance masterclass Own Your Story, Own the Room on Sat 16 May 2015 in Central London.

I’ll be sharing what I learnt from performing my solo show Bound Feet Blues to a sold-out West End theatre so you can take home with you tools to:

# dominate any stage you may be invited to speak on

# welcome and accept the gaze of your audience

# connect warmly with your audience

In Bound Feet Blues, I stand alone on stage for one hour to deliver a dramatised story, playing all the different characters and taking the audience to settings from Oxford, to ancient China and Australia and Malaysia – all without any costumes, props, scenery/ backdrops or music and performed barefoot. The success of the piece depends entirely on me. I must command the stage and hold the attention of the audience for a full 60 minutes. The showcase performance in Oct last year received 4+ Star reviews and one reviewer said of the piece, “a deeply personal and heartfelt performance… I felt the eyes of the audience follow Ooi unblinkingly until the end.”

Do you want to know how you can command the stage like this, too? The masterclass on 16 May could be for you. It will include theatre games that I have devised that will give you experiential learning – one of the best ways to capture performance mastery to magnify your stage presence.

My colleague, Beverley Glick, an award-winning speaker and well-respected journalist, is co-facilitating the masterclass and we will also be guiding participants through how to find the inspiring personal stories in their lives. You will discover how to Continue reading