Is looking Chinese really so awful?

Looking Western seems to be an ideal of beauty for some Chinese women, according to an article in the Daily Mail. They are getting cosmetic surgery on their faces to remove their Chinese features – making their eyes bigger, sharpening their noses and reshaping their faces to seem longer.  Is looking Chinese really so awful for these women that they feel they have to destroy their own faces to look more Western and therefore in their minds more beautiful?

Looking at the photos in the article, I am reminded of depictions of women in anime comics, which originated in Japan – with large saucer like eyes and heart shaped faces, mapping Western features onto Eastern female faces. The skin tones also seem to have been altered to look paler and pinker. There, too, in those comic books, Western features are idolized.

Chinese woman before and after Westernizing cosmetic surgery

Bound Feet Blues explores why women in ancient China were prepared to do violence to themselves and their daughters in the context of footbinding, which mutilated a girl’s feet beyond repair. That brutal cultural practice died out about 70 years ago. But it looks like it has returned but in another form.

The underlying message of both bound feet and this Westernizing cosmetic surgery seems to me to be that Continue reading

How to wear a Cheongsam [Extract from Chapter One: Stilettos – Bound Feet Blues, The Book]

As you may know, I’ve been working on Bound Feet Blues – The Book which brings together the stories behind the story of the show. I have just finished Chapter One: Stilettos, bringing it home at 17,000+ words. The chapter goes behind the scenes of the opening sequence of the theatre performance, which depicts me walking to a ball in stilettos and a red cheongsam, aged 20.

I share stories of my coming of age as a young woman at Oxford, falling in love and discovering the power of my femininity – and how I transformed from a shy, awkward fresher into a woman who can sashay along confidently in a slinky evening gown.

” You must be sleek and slim – and curvaceous, but only in the right places”

Here is an extract, describing what it takes to wear the tight fitting, figure hugging, seductive Chinese traditional dress, while walking in heels…

I like this shade of red. The grey backdrop has given me an idea, what about light grey cheongsams for the bridesmaids? That could look really nice and help the bride stand out more.

 ~~~

“There is something about the severity of the high collar and the unforgiving close fit of the cheongsam  that requires a sternness in your upper body as you wear it. You cannot slack if you are to keep the cloth from creasing over your belly or pulling up over any untoward bumps and crevices. You must be sleek and slim – and curvaceous, but only in the right places, which is why the dress has to be tailor made for exactly your shape and cannot be Continue reading

An elderly lady recalls her experience of footbinding [video]

In this video, a 90+ year old Chinese lady in Malaysia is interviewed, talking about her experience of having her feet bound.

The practice of footbinding did not take place in Malaysia but many women who had had their feet bound as childre migrated to Malaya (as Malaysia used to be called before independence from British rule) in later life.

 

Continue reading

Now that’s what I call Killer Heels

The Guardian has a terrific gallery of photos showing a selection of totally bonkers high heels including this pair of killer stilettos…. – from an exhibition aptly entitled Killer Heels at the Brooklyn Museum, on now till 15 Feb 2015.

Christian Louboutin. Printz,  Spring/Summer 2013 14. Courtesy of Christian Louboutin.

 

The gallery shows that high heels were also in fashion in ancient China – see this pair below. They emulated bound feet for the ruling Continue reading

Researching the history of the iconic cheongsam, the Chinese traditional dress

On this wet Sunday afternoon, I am feeling very sorry for myself – laid up with a cold – but I am distracting myself by researching the history of the the cheongsam for Bound Feet Blues, The Book.


What I am learning is that clothing has national and political significance. The cheongsam originated with Manchu rule in China when the Manchurians from the North East overthrew the Ming Dynasty in 1644. They required all men to wear their hair in a plait – known as a queue – and everyone had to wear clothing in the Manchu style: with the high collar and side buttons. Those who defied this requirement could be punished by death. It was a way of dominating the Continue reading

Yang-May Ooi on BBC London Live

I went in to the BBC London Live studios on 16 Oct to chat with the delightful Jo Good about my novels The Flame Tree and Mindgame and also Bound Feet Blues.

In case you missed it, here is the interview again. It runs for about 20 mins. Click on the image below and an audio player will open up.

 

Or, you can click on this link – https://app.box.com/s/n5kxj3szaric1d03r8qi

 

Continue reading

Yang-May Ooi talking about Bound Feet Blues at SEA Arts Festival 2014 [video]

Here’s a short video interview of me talking about the inspirations behind Bound Feet Blues and the challenges of bringing it to the stage.

It was filmed just after the Heritage Panel that I took part in, discussing the role of heritage in South East Asian Performance with Anna Nguyen of Trikhon Theatre and Elaine Foo of TrueHeart Theatre.

There’s also a short snippet of me performing a scene from the show for the audience at the Heritage Panel.

Enjoy!

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Award-winning speaker and “story archaelogist” Beverley Glick to chair Bound Feet Blues Q&A

I am thrilled that the brilliant Beverley Glick has agreed to chair the Q&A after the showcase performance of Bound Feet Blues on Mon 13 Oct at the Tristan Bates Theatre.

Beverley is an award-winning speaker and “story archaeologist” who works with individuals and businesses to find their authentic stories. She is the co-founder of the cult storytelling club The Story Party where I started my storytelling adventure that led me to create Bound Feet Blues.

 

Photo by Rita Abreu www.araphotography.co.uk

 

I got to know Beverley a couple of years ago from a public speaking course we both took part in and since then, I’ve seen her working with Continue reading

Sweet Vintage Photo of Butch and Femme Japanese-style

Bound Feet Blues is as much about my own personal coming out story as it is about the story of great-grandmother with bound feet. Footbinding in the show is a metaphor for the binding up of who we really are, of our natural selves, in order to fit into an social construct of what a woman should be.

The story also explores how I used to be a tomboy and what that meant for me in terms of freedom vs constraint, power vs restriction, heartfelt love vs pretending to be someone I was not. For me, coming out was the ultimate act of unbinding and personal empowerment – signified by the freedom to wear whatever I choose, whether fully female or male attire or an androgynous combination of both….

Two Japanese women featuring vintage cross-dressing.

 

This vintage photo shows two Japanese women, one in female clothing, the other in man’s clothes. I’ve not been able to Continue reading

Performance photo – the most prized, smallest foot was “the golden lotus”

I perform Bound Feet Blues without any costumes or props – or even any shoes. My aim is to invite the audience to experience the show in the way that we have all experienced stories being told to us when we were children – that is, by co-creating the characters, events and landscapes in our imaginations.

I use my left hand to map the process of footbinding – it starts off as a normal “foot” and is steadily contorted and “broken” into the twisted shape that you see in the photo below. For comparison, I’ve also found a photo of an actual bound foot – also below.

 

 

 

This performance photo was taken at the scratch night in March at Conway Hall.

The most prized foot was called “the golden lotus” – it was Continue reading