Bound Feet Blues: Would you slice up your feet to fit into your shoes – like the ugly sisters in the Cinderella story?

In the Cinderella fairy tale, when the Prince finds the glass slipper dropped by Cinderella, he travels around the kingdom trying to find the woman whose foot is the perfect fit for the shoe. Many women long to marry the Prince, including Cinderella’s ugly sisters but their feet are too big – so they resort to chopping off their toes and their heels to make their feet fit into that single perfect glass slipper.

You think this is a fairy tale.

Well, think again.

It seems that women today are having foot surgery so that their feet fit more easily into high heel shoes or sandals, according to an article on Shape magazine on Cinderella Foot Surgery.

They are asking for toe shortenings… nail re-sizing, “foot facelifts,” “toe tucks,” and foot narrowing… [and] “toebesity” surgery [liposuction on fat toes]

Having spent so much time researching the brutal Continue reading

Exploring the past gives us a sense of identity – reflections on Rosanne Cash’s “The River and The Thread” [Bound Feet Blues]

I was fascinated by the stories she told in between her songs about travelling the Mississipi Delta exploring the roots of the Cash family. The songs tell stories from that meditative journey – about her grandmother who

picked cotton in the Sunken Lands and her ancestors who lived and died during the Civil War.

As I’ve been finding in my current project Bound Feet Blues, discovering and retelling stories from your roots/ heritage can be profoundly life-changing. In connecting the past with the present, it gives us direction for the future.

Find out more about her album:

The River & The Thread – Rosanne Cash.

 

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Yang-May Ooi - Writer/ Performer, Bound Feet Blues

About Yang-May Ooi, Writer & Performer – Bound Feet Blues

Yang-May Ooi is a mixed media author & story performer. Her work explores the power of personal narrative to enchant, inspire and transform.  Bound Feet Blues is her first full length solo story performance.

 

Public Speaking Trial by Fire – Speakers Corner [Bound Feet Blues]

There’s nothing like being thrown in at the deep end! As part of the Inspiring Speakers Programme run by Sarah Lloyd-Hughes we get the chance to have a rant and whip up the crowds at Speakers Corner in Hyde Park. It was scary but once we got onto that step ladder each of us socked it to the crowd with vigour and panache.

I had a rant about why women hate our bodies and do violence to ourselves via cosmetic surgery. And ended by asking people in the crowd to tell me which parts of their bodies they loved! What a blast!

via Flickr http://flic.kr/p/nosx1Q

My story performance Bound Feet Blues is a way in to talking about contemporary feminist issues

I  workshopped Bound Feet Blues at The Centre for Solo Performance with 6 other solo performers and two facilitators. What was fascinating was that after my piece ended, in addition to giving me feedback on my performance and the structure of the script, the others in the group started talking about contemporary issues of body modification, body mutilation, the outward signifiers of feminity and masculinity and the eroticization of different part of our bodies in different cultures and times.

The facilitator had to interrupt the animated discussion to bring Continue reading

Yang-May Ooi: My great-grandmother with bound feet [Bound Feet Blues]

This photo hangs on the wall in my study. It reminds me of my freedom to walk where I choose, to stride through my life, to stand on my own two feet
Bound Feet Blues - Yang-May Ooi: My great-grandmother with bound feet

Why I love running in the rain [Bound Feet Blues]

Researching the crippling effect of bound feet on women in ancient China for my story performance Bound Feet Blues has made me appreciate the freedom I have as a modern woman have to enjoy the simple pleasure of going for a run

I went for a 3 mile run on Easter Sunday in the pouring rain and came back utterly drenched. You may not believe me but I thoroughly enjoyed it!

Why such seeming madness?

Of course I’d prefer to run through a sunny landscape, with the warm sunshine on my face and the vibrant colours of spring bursting around me. But there’s something tactile and Continue reading

Decades after the practice of bound feet died out, women are still mutilating their bodies in the name of beauty [Bound Feet Blues]

This is a fascinating article about Chinese photographer Ji Yeo and her project to photograph women in the recovery room just after cosmetic surgery – See http://www.theguardian.com/lifeandstyle/womens-blog/2014/mar/18/ji-yeo-cosmetic-surgery-frontline

According to the Guardian, she hated her body when she was younger – which was tied into her low self esteem –  and looked into having cosmetic surgery.

She didn’t have the surgery but started the Beauty Recovery Room photography project instead, taking photos of women just after cosmetic surgery.

A shot from Ji Yeo's Beauty Recovery Room series

As I’ve been thinking about bound feet and why women in China did that to themselves for my story performance Bound Feet Blues, I’ve been so much more aware of issues around women and their self esteem, body image, the role of fashion as power and body mutilation/ modification.

This project is particularly striking for me because it involves Chinese and East Asian women – symbolically making Continue reading

Forget stiletoes and painful feet, ugly shoes are IN! [Bound Feet Blues]

Ever since I’ve been working on my story project Bound Feet Blues, I’ve been drawn to news and other matters to do with women’s feet and shoes – especially anything that hobbles us, limits movements and involves pain.

I am excited to see a Guardian report on the rise of ugly – but comfortable – shoes.

Street Style - Day 6 : Paris Fashion Week - Womenswear Fall/Winter 2014-2015

The article quotes Natalie Kingham, head Continue reading

Bound Feet Blues: Why did Chinese women have bound feet?

I’ve been researching the history of bound feet for my solo performance piece Bound Feet Blues.

According to Wikipedia

Bound feet became a mark of beauty and was also a prerequisite for finding a husband. It also became an avenue for poorer women to marry into money; for example, in Guangdong in the late 19th century, it was customary to bind the feet of the eldest daughter of a lower-class family who was intended to be brought up as a lady. Her younger sisters would grow up to be bond-servants or domestic slaves and, when old enough, either the concubines of rich men or the wives of laboring men, able to work in the fields alongside them. In contrast, the tiny, narrow feet of the “ladies” were considered beautiful and made a woman’s movements more feminine and dainty, and it was assumed these eldest daughters would never need to work. Women, their families, and their husbands took great pride in tiny feet, with the ideal length, called the “Golden Lotus”, being about 7 cm (3 inches) long.[7] This pride was reflected in the elegantly embroidered silk slippers and wrappings girls and women wore to cover their feet. Walking on bound feet necessitated bending the knees slightly and swaying to maintain proper movement and balance, a dainty walk that was also considered erotic to men.[8]

 

 

See http://en.wikipedia.org/wiki/Foot_binding

What can the new fashion for flat shoes tell us about the cultural need to control women? [Bound Feet Blues]

The Guardian has this amusing piece commenting on the new fashion for flat shoes for women.

“Fashion trends generated by the fashion industry exist to make life complicated…. Now that the fashion industry has realised that women are fed up with being told they need to wear five-inch heels to look stylish, they’ve proffered flat shoes, but complicated ones.”

For me, there’s also something about fashion that is meant to make those in the latest fashion feel special – AND to make those who don’t have the latest outfits and accessories feel small, ugly and humiliated.  It’s a power thing – a way to control women to fit in with the self-styled “elite” arbiters of what is fashionable. More than that, this mindset also extends to body image – by making us all want to fit in to an ideal skeletal body shape so that those who don’t end up  feeling shame and self-loathing. It’s a way of controlling women and our bodies.

In researching the history of bound feet for my story performance Bound Feet Blues, I’ve been reflecting on fashion and its insidious destructive power.  The elite in ancient China set the trend for bound feet and as it became more Continue reading