How to wear a Cheongsam [Extract from Chapter One: Stilettos – Bound Feet Blues, The Book]

As you may know, I’ve been working on Bound Feet Blues – The Book which brings together the stories behind the story of the show. I have just finished Chapter One: Stilettos, bringing it home at 17,000+ words. The chapter goes behind the scenes of the opening sequence of the theatre performance, which depicts me walking to a ball in stilettos and a red cheongsam, aged 20.

I share stories of my coming of age as a young woman at Oxford, falling in love and discovering the power of my femininity – and how I transformed from a shy, awkward fresher into a woman who can sashay along confidently in a slinky evening gown.

” You must be sleek and slim – and curvaceous, but only in the right places”

Here is an extract, describing what it takes to wear the tight fitting, figure hugging, seductive Chinese traditional dress, while walking in heels…

I like this shade of red. The grey backdrop has given me an idea, what about light grey cheongsams for the bridesmaids? That could look really nice and help the bride stand out more.

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“There is something about the severity of the high collar and the unforgiving close fit of the cheongsam  that requires a sternness in your upper body as you wear it. You cannot slack if you are to keep the cloth from creasing over your belly or pulling up over any untoward bumps and crevices. You must be sleek and slim – and curvaceous, but only in the right places, which is why the dress has to be tailor made for exactly your shape and cannot be Continue reading

Researching the history of the iconic cheongsam, the Chinese traditional dress

On this wet Sunday afternoon, I am feeling very sorry for myself – laid up with a cold – but I am distracting myself by researching the history of the the cheongsam for Bound Feet Blues, The Book.


What I am learning is that clothing has national and political significance. The cheongsam originated with Manchu rule in China when the Manchurians from the North East overthrew the Ming Dynasty in 1644. They required all men to wear their hair in a plait – known as a queue – and everyone had to wear clothing in the Manchu style: with the high collar and side buttons. Those who defied this requirement could be punished by death. It was a way of dominating the Continue reading

Yang-May Ooi talking about thrillers and bound feet on Radio Verulam [audio]

Here is my interview on Radio Verulam – click on the link below and a player will open up:

https://app.box.com/s/0n1njetp0eut0bv29dxg

  Yang-May Ooi on Radio Verulam

 

 

It’s about 15 mins long. Enjoy!

 

Continue reading

First look at the new cover for Mindgame – my lesbian thriller set in Malaysia

I am very excited to share with you the new cover for Mindgame, my second novel and the first – and only – Malaysian lesbian thriller!

The cover is designed by Monsoon Books for the new ebook version that they will be bringing out shortly. It depicts the dark themes of the book quite well, I think:

# the mind manipulation is suggested by the dark swirling cloud to the young woman’s right

# the dream-like, hallucinations bubble up around her, partly light, partly dark

# behind all that, there is an ominous Continue reading

Writing for Performance is wildly different from Novel Writing – here’s why

Over on my main blog StoryGuru.co.uk, I’ve just written about the differences between writing for performance and writing novels. As a novelist, I had a steep learning curve working on the script for Bound Feet Blues and found lots to love about this fresh genre of story performance, and also lots that has been a challenge in terms of creating the text.

In contrast to 180,000+ for each of my novels, I have had to…. Continue reading

How hard hearted can I be in Editing Bound Feet Blues?

I Finished the script of Bound Feet Blued a couple of weeks ago. Now be hard task of editing it begins.
 
 
 
I laid out all 25 pages of the script on the dining table so that I could see the flow of the story in one glance. Also, having it spread out in front of me means that I could see how each section relates to other sections.
 
 
 
Assuming three minutes per page, the script was running to about 75 minutes – which is the outside running time. My aim is to try and
Continue reading

How do you write about your life without upsetting the people you love? [Bound Feet Blues]

As an author of memoir or true stories that is the big dilemma: how do you tell stories about your life without upsetting the people you love who may be an integral part of those stories –  especially because they are an integral part of your life?

I’ve mulled over this long and hard as I’ve been working on Bound Feet Blues, which tells stories from my life – and which inevitabley involve those people who are an important part of my life.

My blog post on my main blog StoryGuru explores this dilemma in more depth: see  True Stories Told Live: Innocent Bystanders May Be Written Into This Story [Bound Feet Blues]

“One of the challenges about true stories told live – ie telling stories from your own life – is that they involve other people. And while these people may have signed up to your life as a friend or enemy or lover or relative or colleague, they may not have signed up to be in your story, whether that story is a written memoir or an oral story told live to others. So, how do you tell stories or write books about your life without upsetting those who appear in them because they happen to be around during the incident you are talking about?…

[READ MORE]

 

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Photo: thanks to flattop341 on flickr.com (CCL)